Sculpture and Photography. Envisioning the Third Dimension.

Texts :
1. Joel Snyder: 19th Century Photography of Sculpture and the Rhetoric of Substitution ;
2. Mary Bergstein: The Mystification of Antiquity under Pius IX: The Photography of Sculpture in Rome, 1846-1878 ;
3. Michael Hatt: Eakins's Arcadia: Sculpture, Photography, and the Redefinition of the Classical Body ;
4. Helene Pinet: "Montrer est la Question Vitale": Rodin and Photography ;
5. Tamar Garb: Modeling the Body: Photography, Physical Culture and the Classical Ideal in fin-de-siecle France ;
6. Paul Paret: Sculpture and its Negative: the Photographs of Constantin Brancusi ;
7. Henri Zerner: Malraux and the Power of Photography ;
8. Joan Parchner: Private Views / Public Images: David Smith's Photographs ;
9. David Green / Joanna Lowry: Splitting the Index: Time, Object, and Photography in the Work of Joseph Beuys and Yves Klein ;
10. Anna C. Chave: Striking Poses: The Absurdist Theatrics of Eva Hesse ;
11. Alex Potts: The Minimalist Object and the Photographic Image ;
12. William Hood: A Lazy Man's Approach: Robert Mapplethorpe and the Language of Sculpture ;
13. Geraldine A. Johnson: Sculpture, Photography, and The Politics of Public Space: Serra's Tilted Arc and Lin's Vietnam Veterans Memorial ;
14. Briony Fer: The Space of Anxiety: Sculpture and Photography in the Work of Jeff Wall ;
Index.