200cm - Issue 1 - Fresh from the Pheiades
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Exemplaarnummer Plaatscode Signatuur R026695 Ned. Fotomuseum NL ANTH LUNDGREN.R 2025
Titel200cm - Issue 1 - Fresh from the Pheiades
Auteur
Corporatieve auteur
Fotograaf
Iconografisch trefwoord
Plaats van uitgaveAmsterdam
Uitgever200cm
Jaar van uitgave2025
Pagina's56
Illustratiesduotone
Formaat21 x 15 cm.
MateriaalAnthologie
DocumenttypeBoek
ISBN9789083318127
Annotatiesc, geniet
TrefwoordMet de hand ingekleurde foto's
Geografisch trefwoordChina
Persoonstrefwoord London The Archive of Modern Conflict, GB
Samenvatting
Do green people exist? A quick search brings up the legend of the green children of Woolpit. This tale recounts the discovery of a brother and sister who appeared largely normal except for the green hue of their skin. They spoke an unknown language and only ate raw beans. According to the girl, they came from a land where the sun never shone, and everything was green.
But let’s be honest, the subjects featured in this zine most likely didn’t come from such a fantastical place, nor from the Pleiades. It’s more probable that photographers manipulated their negatives in the darkroom to enhance their subjects. They would apply magenta ink to certain areas of the photograph (especially the face) to reduce grain in black-and-white prints, functioning as a subtle filter.
Interestingly, this manipulation reflects how the perception of reality in photographs has changed over time. In the early days of photography, adjustments like these were often made to improve the aesthetic qualities of photographs. Today such alterations have become commonplace. The green hue, once an oddity in a world of black-and-white, now serves as a reminder of how the desire for idealised images shapes the way we view both history and the present. source: www.thelibraryproject.ie
But let’s be honest, the subjects featured in this zine most likely didn’t come from such a fantastical place, nor from the Pleiades. It’s more probable that photographers manipulated their negatives in the darkroom to enhance their subjects. They would apply magenta ink to certain areas of the photograph (especially the face) to reduce grain in black-and-white prints, functioning as a subtle filter.
Interestingly, this manipulation reflects how the perception of reality in photographs has changed over time. In the early days of photography, adjustments like these were often made to improve the aesthetic qualities of photographs. Today such alterations have become commonplace. The green hue, once an oddity in a world of black-and-white, now serves as a reminder of how the desire for idealised images shapes the way we view both history and the present. source: www.thelibraryproject.ie
| Exemplaarnummer | R026695 |
| Instellingsnaam | |
| Signatuur | NL ANTH LUNDGREN.R 2025 |