How the West was Won. Reinventing the Myth of William Henry Jackson.
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Exemplaarnummer Plaatscode Signatuur R072715 Ned. Fotomuseum Ned. fotomuseum
TitelHow the West was Won. Reinventing the Myth of William Henry
Jackson.
Auteur
Editie[nummer] 8
[jaargang] XVI
[tijdschrift; titel] AFTERIMAGE
[tijdschrift; maand] March
[tijdschrift; pagina] 17-19
Iconografisch trefwoord
Jaar van uitgave1989
Materiaalartikel
DocumenttypeArtikel
Trefwoorddocumentaire fotografie, Geschiedenis en fotografie, Geschiedenis van de fotografie, Geschiedenis van de fotografie: USA
Geografisch trefwoordWest-Verenigde Staten
Samenvatting
A thorough discussion of Peter B. Hales book ""William Henry
Jackson and the Transformation of the American Landscape''
(1988). The reviewer acknowledges the fact that Jackson's
photographs helped to establish a historical basis for the
recognition of photography as a distinctive American art form,
carried on later by Ansel Adams and Caponigro, and entering the
photographic canon with Szarkowski's exhibition ""The
Photographer in the American Landscape'' (1963). But the
reviewer also discusses the histories to which Jackson belongs:
histories based on the myth of the American Frontier as the
source of America's exceptional culture (and as such, a
cumulative construction), and Jackson's contribution to that
myth. Femininist historians, geographers and new students of
American studies have managed to deconstruct this myth. Hales is
criticised for ""resurrecting assumptions that much recent work
has succesfully undermined'', and for reviving an ""antique
ideology''.
Univ. of Rochester
Citaten:
Taft, R.: Photography and the American Scene (1938)
Bright, D.: Of Mother Nature and Marlboro (Exp. v23,i4,1985)
Hill, P./ Cooper, Th.: Dialogue with Photography (1977)
Szarkowski, J.: The Photographer in Am. Landscape (1963)
Haines, A.L.: The Yellowstone Story (1977)
Jackson, W.H.: Time Exposure, Autobiography (1940)
Goetzmann, W.H.: Exploration and Empire (1966)
Marx, L.: The Machine in the Garden (1964)
Nash, R.: Wilderness and the American Mind (1967)
Smith, H.N. Virgin Land (1950)
Stegner, W.: Beyond the 100th Meridian (1954)
Darrah, W.C.: The World of Stereographs (1964)
Kolodny, A.: The Land Before Her (1984)
Kolodny, A.: The Lay of the Land (1975)
Newhall, B./ Edkins, D.: William Henry Jackson (1974)
Snyder, J./ Munson, D.: The Documentary Photograph (1976)
Naef, W./ Wood, J.N.: Era of Exploration (1975)
Hales, P.B.: Silver Cities (1984)
Grad, B./ Riggs T.: Vision of City and Country (1982)
Jammes, A./ Janis, E.P.: The Art of the French Calotype (1983)
Eastlake, E.: Photography (1857)
Klingender, F.G.: Art and the Industrial Revolution (1967)
Danly, S.: Andrew Joseph Russel's 'The Great West Ill.' (1988)
Danly, S.: The Railroad in the Western Landscape (1981)
Welter, R.: The Frontier West (Miss.Vall.Hist.Rev. nr46(1960))
Tichi, C.: New World, New Eart (1979)
Sussman, W.: The Frontier Thesis (1984)
Jackson and the Transformation of the American Landscape''
(1988). The reviewer acknowledges the fact that Jackson's
photographs helped to establish a historical basis for the
recognition of photography as a distinctive American art form,
carried on later by Ansel Adams and Caponigro, and entering the
photographic canon with Szarkowski's exhibition ""The
Photographer in the American Landscape'' (1963). But the
reviewer also discusses the histories to which Jackson belongs:
histories based on the myth of the American Frontier as the
source of America's exceptional culture (and as such, a
cumulative construction), and Jackson's contribution to that
myth. Femininist historians, geographers and new students of
American studies have managed to deconstruct this myth. Hales is
criticised for ""resurrecting assumptions that much recent work
has succesfully undermined'', and for reviving an ""antique
ideology''.
Univ. of Rochester
Citaten:
Taft, R.: Photography and the American Scene (1938)
Bright, D.: Of Mother Nature and Marlboro (Exp. v23,i4,1985)
Hill, P./ Cooper, Th.: Dialogue with Photography (1977)
Szarkowski, J.: The Photographer in Am. Landscape (1963)
Haines, A.L.: The Yellowstone Story (1977)
Jackson, W.H.: Time Exposure, Autobiography (1940)
Goetzmann, W.H.: Exploration and Empire (1966)
Marx, L.: The Machine in the Garden (1964)
Nash, R.: Wilderness and the American Mind (1967)
Smith, H.N. Virgin Land (1950)
Stegner, W.: Beyond the 100th Meridian (1954)
Darrah, W.C.: The World of Stereographs (1964)
Kolodny, A.: The Land Before Her (1984)
Kolodny, A.: The Lay of the Land (1975)
Newhall, B./ Edkins, D.: William Henry Jackson (1974)
Snyder, J./ Munson, D.: The Documentary Photograph (1976)
Naef, W./ Wood, J.N.: Era of Exploration (1975)
Hales, P.B.: Silver Cities (1984)
Grad, B./ Riggs T.: Vision of City and Country (1982)
Jammes, A./ Janis, E.P.: The Art of the French Calotype (1983)
Eastlake, E.: Photography (1857)
Klingender, F.G.: Art and the Industrial Revolution (1967)
Danly, S.: Andrew Joseph Russel's 'The Great West Ill.' (1988)
Danly, S.: The Railroad in the Western Landscape (1981)
Welter, R.: The Frontier West (Miss.Vall.Hist.Rev. nr46(1960))
Tichi, C.: New World, New Eart (1979)
Sussman, W.: The Frontier Thesis (1984)
| Exemplaarnummer | R072715 |
| Instellingsnaam | |
| Signatuur | Ned. fotomuseum |