The Photograph as Contemporary Art
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Exemplaarnummer Plaatscode Signatuur R013177 Ned. Fotomuseum $KUNST COTTON.C 2004 H001760 huis Marseille ANTH-COTTON-C-2004 (theorie, k) R025337 Ned. Fotomuseum $T COTTON.C 2004
TitelThe Photograph as Contemporary Art
Auteur
Editie[editie] first
Fotograaf
Plaats van uitgaveLondon
UitgeverThames & Hudson
Jaar van uitgave2004
Pagina's224
IllustratiesZwart-Wit en kleur
Formaat21 x 15 cm.
MateriaalAnthologie
DocumenttypeBoek
ReeksThames & Hudson; World of Art
ISBN0500203806
Annotatiepb; list of illustrations; index
TrefwoordBloemlezing, Geschiedenis en fotografie
Samenvatting
"From conceptual art's use of the banal and 'artless' snapshot to the carefully constructed tableaux of Jeff Wall, this book considers the full range of ways that today's artists engage with photography to make art.
Some artists, such as Sophie Calle and Erwin Wurm, use photography as a record of a real performance or everyday action, while others such as Yinka Shonibare and Gregory Crewdson stage invented scenes and narratives to tell fictional stories. Andreas Gursky, Thomas Demand and Rineke Dijkstra present a cool, seemingly objective view of the external world, while Richard Billingham, Nan Goldin and Wolfgang Tillmans offer up intimate details of their private lives. In the hands of Luc Delahaye and Allan Sekula, photography is a means of creating documentary, while for those such as Cindy Sherman and Gillian Wearing, the photograph becomes a repository of personal, social and cultural values in an image-saturated world.
With some of the most important artists and key works, The Photograph as Contemporary Art is an ideal introduction to the twenty-first century's dominant art form."
Some artists, such as Sophie Calle and Erwin Wurm, use photography as a record of a real performance or everyday action, while others such as Yinka Shonibare and Gregory Crewdson stage invented scenes and narratives to tell fictional stories. Andreas Gursky, Thomas Demand and Rineke Dijkstra present a cool, seemingly objective view of the external world, while Richard Billingham, Nan Goldin and Wolfgang Tillmans offer up intimate details of their private lives. In the hands of Luc Delahaye and Allan Sekula, photography is a means of creating documentary, while for those such as Cindy Sherman and Gillian Wearing, the photograph becomes a repository of personal, social and cultural values in an image-saturated world.
With some of the most important artists and key works, The Photograph as Contemporary Art is an ideal introduction to the twenty-first century's dominant art form."
| Exemplaarnummer | R013177 |
| Instellingsnaam | |
| Signatuur | $KUNST COTTON.C 2004 |
| Exemplaarnummer | H001760 |
| Instellingsnaam | |
| Signatuur | ANTH-COTTON-C-2004 (theorie, k) |
| Exemplaarnummer | R025337 |
| Instellingsnaam | |
| Signatuur | $T COTTON.C 2004 |