The subject of documentary
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Exemplaarnummer Plaatscode Signatuur R017321 Ned. Fotomuseum $CIN RENOV.M 2004
TitelThe subject of documentary
Auteur
Plaats van uitgaveMinneapolis
UitgeverUniversity of Minnesota Press
Jaar van uitgave2004
Pagina'sXXIV, 286 p.
Illustratiesb&w
Formaat26 x 18 cm.
MateriaalTekstboek
DocumenttypeBoek
ReeksVisible evidence ; 16
ISBN08166344080816634416
Elektronisch document
http://fotomuseum.adlibhosting.com/texts/017321_Michael_Renov_2004_The_Subject_of_Documentary.pdf
AnnotatieIncludes bibliographical references and index.
Samenvatting
We cite from the COVER:
"In The Subject of Documentary, Michael Renov focuses on how documentary filmmaking has become an important means for both examining and constructing selfhood. Whether chronicling family history, sexual identity, or a personal or social world, the new generation of nonfiction filmmakers has defiantly embraced autobiography. By looking at key figures in documentary filmmaking as well as noncanonical video art and avant-garde artists, Renov broadens the definition of what counts as documentary."
"Offering historical context for the explosion of personal nonfiction filmmaking in the 1980s and 1990s, Renov analyzes films from Haskell Wexler's Medium Cool to Jonas Mekas's Lost, Lost, Lost. Looking beyond the traditional documentary, Renov contemplates such nontraditional modes of autobiographical practice as the essay film, the video confession, and the personal Web page."
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For facsimile view of Table of Contents please click URL.
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"In The Subject of Documentary, Michael Renov focuses on how documentary filmmaking has become an important means for both examining and constructing selfhood. Whether chronicling family history, sexual identity, or a personal or social world, the new generation of nonfiction filmmakers has defiantly embraced autobiography. By looking at key figures in documentary filmmaking as well as noncanonical video art and avant-garde artists, Renov broadens the definition of what counts as documentary."
"Offering historical context for the explosion of personal nonfiction filmmaking in the 1980s and 1990s, Renov analyzes films from Haskell Wexler's Medium Cool to Jonas Mekas's Lost, Lost, Lost. Looking beyond the traditional documentary, Renov contemplates such nontraditional modes of autobiographical practice as the essay film, the video confession, and the personal Web page."
*
For facsimile view of Table of Contents please click URL.
*
| Exemplaarnummer | R017321 |
| Instellingsnaam | |
| Signatuur | $CIN RENOV.M 2004 |