The Seeing machine : photography and the visualisation of culture in Australia, 1890-1930.
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Exemplaarnummer Plaatscode Signatuur R080012 Ned. Fotomuseum $CS BALLARD.B 2003
TitelThe Seeing machine : photography and the visualisation of culture in Australia, 1890-1930.
Auteur
Plaats van uitgaveMelbourne
Jaar van uitgave2003
Pagina's300
Illustratiesb&w
Formaat30 x 21 cm.
MateriaalTekstboek
DocumenttypeBoek
Elektronisch document
Annotatiethesis; digital;
TrefwoordGeschiedenis van de fotografie: AUS (Australië), Representatie en fotografie, Maatschappij en fotografie, Thesis / Scriptie, Modernisme en fotografie, beeldcultuur, Fotografische verbanden: AUS (Australië), Geschiedenis van de amateurfotografie: AUS (Australië), digitaal beschikbaar
Persoonstrefwoord Melbourne University of Melbourne, AUS ;
Samenvatting
Author's abstract:
"Since its introduction in Australia, photography has had a profound impact on Australian culture. The modern era, it is often alleged, has been dominated by the sense of sight, and from its inception, photography was explicitly understood in relation to this prestigious notion of modern vision. The camera and its associated technologies offered a "new" and modern way of seeing that was central to the overall project of modernity."
"This thesis is a study of the role of photography in the increasing visualisation of Australian culture during the late nineteenth and early twentieth centuries. Drawing on debates around modernism, it explores the cultural and social expressions of photopgraphy. Each chapter of this thesis considers an aspect of photography or its use, and traces the emerging popularisation and commodification of the photographic image. The social impact of photography is explored in a selection of specific contexts that include early camera clubs and societies of the 1890s, and the growing amateur movement that followed the new "point and shoot" technology so ably depicted by the Kodak Girl. Other contexts include the professional applications of photography, official and private uses of photography during Wolrd War I, and finally the journalistic and cinematic uses of the photographic image in the 1920s. Together these contexts show how the romance and optimism of technology ignited enthusiasm for the visual medium across class and gender divides, moving from initial popularity amongst a local scientific elite, spreading to amateurs, professionals, and eventually being put to political and social uses, throughout the world."
"The emergence of photography as a popular pastime and profession was instrumental in reconceptualising public and private life. Popularised by the press and reinforced by private uses, photographs constitute a significant cultural terrain for society and in many ways, paved the way for a broader acceptance of a visual discourse that dominates modern society."
"Since its introduction in Australia, photography has had a profound impact on Australian culture. The modern era, it is often alleged, has been dominated by the sense of sight, and from its inception, photography was explicitly understood in relation to this prestigious notion of modern vision. The camera and its associated technologies offered a "new" and modern way of seeing that was central to the overall project of modernity."
"This thesis is a study of the role of photography in the increasing visualisation of Australian culture during the late nineteenth and early twentieth centuries. Drawing on debates around modernism, it explores the cultural and social expressions of photopgraphy. Each chapter of this thesis considers an aspect of photography or its use, and traces the emerging popularisation and commodification of the photographic image. The social impact of photography is explored in a selection of specific contexts that include early camera clubs and societies of the 1890s, and the growing amateur movement that followed the new "point and shoot" technology so ably depicted by the Kodak Girl. Other contexts include the professional applications of photography, official and private uses of photography during Wolrd War I, and finally the journalistic and cinematic uses of the photographic image in the 1920s. Together these contexts show how the romance and optimism of technology ignited enthusiasm for the visual medium across class and gender divides, moving from initial popularity amongst a local scientific elite, spreading to amateurs, professionals, and eventually being put to political and social uses, throughout the world."
"The emergence of photography as a popular pastime and profession was instrumental in reconceptualising public and private life. Popularised by the press and reinforced by private uses, photographs constitute a significant cultural terrain for society and in many ways, paved the way for a broader acceptance of a visual discourse that dominates modern society."
| Exemplaarnummer | R080012 |
| Instellingsnaam | |
| Signatuur | $CS BALLARD.B 2003 |