Photography/Politics: One.
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Exemplaarnummer Plaatscode Signatuur R003983 Ned. Fotomuseum $T HARVEY.S 1979
TitelPhotography/Politics: One.
Auteur
Fotograaf
Iconografisch trefwoord
Plaats van uitgaveLondon
UitgeverPhotography Workshop
Jaar van uitgave1979
Pagina's202
Illustratiesb&w
FormaatA4
MateriaalTekstboek
DocumenttypeBoek
Annotatiepb;
TrefwoordReclame, Arbeiter Illustrierte Zeitung, AIZ, tijdschrift, D, Arbeiter-Fotograf, fototijdschrift, D, Arbeiterfotografie, Film en fotografie, Geëngageerde fotografie, documentaire fotografie, Feminisme en fotografie, Hackney Flashers Collective, GB, kunstenaarsgroep, Geschiedenis van de fotografie: D (Duitsland), Geschiedenis van de fotografie: F (Frankrijk), Ideologie en kunst, Marxisme en fotografie, Nazisme en fotografie, Photo League, USA (1936-1951), Fotomontage, Politiek en fotografie, Propaganda met foto's, Semiologie en fotografie, Oorlog en fotografie, Werkende klasse fotografie, Geschiedenis van geïllustreerde tijdschriften: GB, Arbeidersamateurfotografen, Theorie van de fotografie, Buurtfotografie: GB (Groot-Brittanië), Politiek en fotografie: GB (Groot-Britannië), Geëngageerde fotografie: USA, Hugh Cuthbertson, GB {collectie}, Workers' Film and Photo League, London, GB, Links Richten, geïllustreerd tijdschrift, NL
Geografisch trefwoordHackney
Samenvatting
Texts :
A. AGAINST THE DOMINANT IDEOLOGY ;
1. Sylvia Harvey: Ideology: The 'Base and Superstructure' Debate. ;
2. Gen Doy: The Camera Against the Paris Commune. ;
3. Stuart Hall: The Social Eye of Picture Post (extract). ;
4. Jo Spence: What did you do in the War, Mumm? Class and gender in Images of Women. ;
5. Eckhard Siepmann: Heartfield's Millions Montage: (Attempt at) a Structural Analysis. ;
6. Judith Williamson: The History that Photographs Mislaid. ;
B. LEFT PHOTOGRAPHY BETWEEN THE WARS. THE INTERNATIONAL WORKER PHOTOGRAPHER MOVEMENT. ;
7. Intro: Willi Munzenberg: Tasks and Aims. ;
8. Korner / Stuber: Germany: Arbeiter Fotografie. ;
9. Bert Hogenkampt: Holland: Vereeniging van Arbeiders-Fotografen. ;
10. Bert Hogenkampt: Belgium: Willy Kessels and the Borinage Film. ;
11. Russell Campbell: America: The (Workers?) Film and Photo League. ;
12. Douglas Allen: Scotland: Workers Photography. ;
13. Terry Dennett: England: The (Workers') Film and Photo League. ;
14. Victoria Wegg-Prosser: The Hugh Cuthbertson Collection. ;
LEFT PHOTOGRAPHY TODAY ;
15. Liz Heron: Hackney Flashers Collective: Who's Still Holding the Camera? ;
16. Robert Golden: Why Socialist Photography? ;
17. Nick Hedges: Charity Begins at Home: The SHELTER Photographs. ;
18. Trisha Ziff: Working for the Council. ;
19. Allan Sekula: Dismantling Modernism, Reinventing Documentary (Notes on the Politics of Representation). ;
POSTSCRIPT ;
20. John Tagg: Contacts/Worksheets. Notes on Photography, History and Representation.
A. AGAINST THE DOMINANT IDEOLOGY ;
1. Sylvia Harvey: Ideology: The 'Base and Superstructure' Debate. ;
2. Gen Doy: The Camera Against the Paris Commune. ;
3. Stuart Hall: The Social Eye of Picture Post (extract). ;
4. Jo Spence: What did you do in the War, Mumm? Class and gender in Images of Women. ;
5. Eckhard Siepmann: Heartfield's Millions Montage: (Attempt at) a Structural Analysis. ;
6. Judith Williamson: The History that Photographs Mislaid. ;
B. LEFT PHOTOGRAPHY BETWEEN THE WARS. THE INTERNATIONAL WORKER PHOTOGRAPHER MOVEMENT. ;
7. Intro: Willi Munzenberg: Tasks and Aims. ;
8. Korner / Stuber: Germany: Arbeiter Fotografie. ;
9. Bert Hogenkampt: Holland: Vereeniging van Arbeiders-Fotografen. ;
10. Bert Hogenkampt: Belgium: Willy Kessels and the Borinage Film. ;
11. Russell Campbell: America: The (Workers?) Film and Photo League. ;
12. Douglas Allen: Scotland: Workers Photography. ;
13. Terry Dennett: England: The (Workers') Film and Photo League. ;
14. Victoria Wegg-Prosser: The Hugh Cuthbertson Collection. ;
LEFT PHOTOGRAPHY TODAY ;
15. Liz Heron: Hackney Flashers Collective: Who's Still Holding the Camera? ;
16. Robert Golden: Why Socialist Photography? ;
17. Nick Hedges: Charity Begins at Home: The SHELTER Photographs. ;
18. Trisha Ziff: Working for the Council. ;
19. Allan Sekula: Dismantling Modernism, Reinventing Documentary (Notes on the Politics of Representation). ;
POSTSCRIPT ;
20. John Tagg: Contacts/Worksheets. Notes on Photography, History and Representation.
| Exemplaarnummer | R003983 |
| Instellingsnaam | |
| Signatuur | $T HARVEY.S 1979 |