Photography: A Critical Introduction.
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Exemplaarnummer Plaatscode Signatuur R003533 Ned. Fotomuseum $T WELLS.L 1997 R003826 Ned. Fotomuseum $T WELLS.L 1997 R015212 Ned. Fotomuseum $T WELLS.L 1997
TitelPhotography: A Critical Introduction.
Plaats van uitgaveLondon
UitgeverRoutledge
Jaar van uitgave1997
Pagina's307
Illustratiesb&w
FormaatA4
MateriaalTekstboek
DocumenttypeBoek
ISBN0-415-125596
Annotatieindex, glossary, bibliographies, notes, pb;
Trefwoordamateurfotografie, Kunst met fotografie, Fotografieonderwijs, Representatie en fotografie, Semiologie en fotografie, Theorie van de fotografie, Digitale beeldbewerkingstechnieken, Documentaire fotografie (teksten over)
Samenvatting
CHAPTERS :
1. Price / Wells: Thinking about photography. Debates, historically and now ;
2. Price: Surveyors and surveyed. Photography out and about ;
3. Holland: "Sweet it is to scan ...". Personal photographs and popular photography ;
4. Ramamurthy: Constructions of illusion. Photography and commodity culture ;
6. Wells: On and beyond the white walls. Photography as art ;
7. Lister: Photography in the age of electronic imaging ;
Glossary ; Index.
From the "blurb":
This is the first introductory textbook to examine key debates in photographic theory and place them in their social and political contexts. Written especially for students in further education, higher education and introductory college courses, it provides a coherent introduction to the nature of photographic seeing.
Individual chapters cover principal debates and theorists; the documentary role of the camera; the popular and personal, including the family album; advertising and commodity culture; photography as fine art and photography and digital imaging.
Designed to direct students to key reading and to assist understanding of central concepts, this accessible textbook includes:
• principal references and notes in the margin
• a full glossary of terms
• comprehensive end-of-chapter bibliographies
• case studies demonstrating methods of analysis
The discussion of theories, case studies and developments is impressively illustrated throughout with photographs and images, their diversity reflecting the breadth of issues and practices covered. Work by Jacob Riis, Dorothea Lange and Lee Friedlander features in the discussion of documentary photography. Advertising and contemporary fashion photography are exemplified by images from early Kodak advertising and recent campaigns by Benetton. Photographers referenced in the discussion of photography as fine art include Bill Brandt, Alexander Rodchenko, Lee Miller and Ingrid Pollard. The significance of new image technologies in the 'post-photographic' era is illustrated with computer-generated images and a NASA satellite image of earth.
1. Price / Wells: Thinking about photography. Debates, historically and now ;
2. Price: Surveyors and surveyed. Photography out and about ;
3. Holland: "Sweet it is to scan ...". Personal photographs and popular photography ;
4. Ramamurthy: Constructions of illusion. Photography and commodity culture ;
6. Wells: On and beyond the white walls. Photography as art ;
7. Lister: Photography in the age of electronic imaging ;
Glossary ; Index.
From the "blurb":
This is the first introductory textbook to examine key debates in photographic theory and place them in their social and political contexts. Written especially for students in further education, higher education and introductory college courses, it provides a coherent introduction to the nature of photographic seeing.
Individual chapters cover principal debates and theorists; the documentary role of the camera; the popular and personal, including the family album; advertising and commodity culture; photography as fine art and photography and digital imaging.
Designed to direct students to key reading and to assist understanding of central concepts, this accessible textbook includes:
• principal references and notes in the margin
• a full glossary of terms
• comprehensive end-of-chapter bibliographies
• case studies demonstrating methods of analysis
The discussion of theories, case studies and developments is impressively illustrated throughout with photographs and images, their diversity reflecting the breadth of issues and practices covered. Work by Jacob Riis, Dorothea Lange and Lee Friedlander features in the discussion of documentary photography. Advertising and contemporary fashion photography are exemplified by images from early Kodak advertising and recent campaigns by Benetton. Photographers referenced in the discussion of photography as fine art include Bill Brandt, Alexander Rodchenko, Lee Miller and Ingrid Pollard. The significance of new image technologies in the 'post-photographic' era is illustrated with computer-generated images and a NASA satellite image of earth.
| Exemplaarnummer | R003533 |
| Instellingsnaam | |
| Signatuur | $T WELLS.L 1997 |
| Exemplaarnummer | R003826 |
| Instellingsnaam | |
| Signatuur | $T WELLS.L 1997 |
| Exemplaarnummer | R015212 |
| Instellingsnaam | |
| Signatuur | $T WELLS.L 1997 |