The Permanence and Care of Color Photographs: Traditional and Digital Color Prints, Color Negatives, Slides, and Motion Pictures.

Important: Chapter 20 & Recommendations.
Book is accomplishment of a life long study of color print fading and staining.
A free digital copy of this book is available at the website of Henry Wilhelm:
http://www.wilhelm-research.com/book_toc.html
TABLE OF CONTENTS :
Introduction: Looking Toward the Future ;
Chapter 1: Traditional and Digital Color Prints, Color Negatives, and Color Slides: Which Products Last Longest?
The Hidden Problem: Simply Looking at a Beautiful Color Photograph Provides Absolutely No Indication of How Long It Will Retain Its Original Brilliance — Whether Exposed to Light on Display or Stored in the Dark ;
Chapter 2: Accelerated Tests for Measuring Light Fading, Dark Fading, and Yellowish Stain Formation in Color Prints and Films ;
Chapter 3: Light Fading Stability of Displayed Color Prints. Light-Induced Cracking of RC Papers: Is It Still a Problem with Color Prints? ;
Chapter 4: The Effects of Print Lacquers, Plastic Laminates, 3M Photogard, and UV-Absorbing Plastic Filters.
The Myth of UV Protection for Ektacolor, Fujicolor, and Similar Color Prints ;
Chapter 5: Dark Fading and Yellowish Staining of Color Prints, Transparencies, and Negatives ;
Chapter 6: Projector-Caused Fading of 35mm Color Slides. Fujichrome Films Have the Longest Life When Projected ;
Chapter 7: Monitoring the Long-Term Fading and Staining of Color Photographs in Museum and Archive Collections.
Similar Procedures Can Be Employed with Black and-White Prints ;
Chapter 8: Color Print Fading and the Professional Portrait and Wedding Photographer — What to Do About Troubling Situation. Fujicolor SFA3 Papers Are by Far the Longest Lasting Color Negative Papers Available ;
Chapter 9: The Permanent Preservation of Color Motion Pictures. Low-Temperature, Humidity-Controlled Storage of Original Camera Negatives, Color Reversal Originals, Laboratory Intermediates, and Release Prints Is the Only Viable Way to Keep Color Motion Pictures Unchanged for Many Hundreds or Even Thousands of Years ;
Chapter 10: The Extraordinarily Stable Technicolor Dye-Imbibition Motion Picture Color Print Process (1932-1978) ;
Chapter 11: Print Mounting Adhesives and Techniques, Tapes, Rubber Stamps, Pencils, Inks, and Spotting Methods for Color and B&W Prints ;
Chapter 12: The Handling, Presentation, and Conservation Matting of Photographs - By Carol Brower ;
Chapter 13: Composition, pH, Testing, and Light Fading Stability of Mount Boards and Other Paper Products Used with Photographs - By Carol Brower and Henry Wilhelm ;
Chapter 14: Envelopes and Sleeves for Films and Prints ;
Chapter 15: Framing Materials, Storage Boxes, Portfolio Cases, Albums, Cabinets, and Shelves ;
Chapter 16: The Storage Environment for Photographs: Relative Humidity, Temperature, Air Pollution, Dust, and the Prevention of Fungus ;
Chapter 17: Display and Illumination of Color and Black and-White Prints. The Alarming Light-Induced Image Discoloration and Base Cracking of B&W RC Prints on Long-Term Display ;
Chapter 18: Handling and Preservation of Color Slide Collections. Selection of Films, Slide Mounts, Slide Pages, and Individual Slide Sleeves ;
Chapter 19: Frost-Free Refrigerators for Storing Color and Black-and-White Films and Prints.
Appendix 19.1: Freezer Storage for Permanent Preservation of Cellulose Nitrate Still-Camera Negatives and Motion Pictures ;
Chapter 20: Large-Scale, Humidity-Controlled Cold Storage Facilities for the Permanent Preservation of B&W and Color Films, Prints, and Motion Pictures ;
Index.