A History of Photography: Social and cultural perspectives
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Exemplaarnummer Plaatscode Signatuur R002397 Ned. Fotomuseum $HIST LEMAGNY.J 1987 R022408 Ned. Fotomuseum 20 H 1 1987 HIST
TitelA History of Photography: Social and cultural perspectives
Auteur
Fotograaf
Plaats van uitgaveCambridge
UitgeverCambridge University Press
Jaar van uitgave1987
Pagina's288
IllustratiesZwart-Wit en kleur
Formaat30 x 23 cm
MateriaalTekstboek
DocumenttypeBoek
ISBN0-521-344077
Annotatieindex, notes, bibliography, cb;
Trefwoordamateurfotografie, Kunst met fotografie, Expeditie fotografie, Farm Security Administration, FSA, USA, Fascisme en fotografie, Geschiedenis van de fotografie, Geschiedenis van de persfotografie, Geschiedenis van de wetenschappelijke fotografie, Modernistische fotografie, Nazisme en fotografie, Fotografie als kunst, Proto-historie van de fotografie, Referentiewerk
Samenvatting
Chapters :
1. Bernard Marbot: Towards the Discovery (before 1839) ;
2. Bernard Marbot: The New Image Takes its First Steps (1839-1850) ;
3. André Rouillé: The Rise of Photography (1851-1870) ;
4. Andre Rouillé: Exploring the World by Photography in the 19th C. ;
5. Photography Comes of Age (1870-1914) :
a. Anne McCauley: An image of Society ;
b. Georges Didi-Huberman: Photography - scientific and seudo-scientific ;
c. Rune Hassner: Photography and the Press ;
d. Rune Hassner: Amateur Photography ;
e. Marc Mëlon: Beyond Reality: Art Photography ;
6. Molly Nesbit: Photography, Art and Modernity (1910-1930) ;
7. Photography and the State Between the Wars
a. Rosalind Sartori: The Soviet Union ;
b. Angelo Schwarz: Fascist Italy ;
c. Ute Eskildsen: Germany: The Weimar Republik ;
d. Rolf Sachsse: Germany: The Third Reich ;
e. Christopher Phillips: The United States: American Society ;
8. Colin Osman: Photography Sure of Itself (1930-1950) ;
9. Lemagny: Photography Unsure of Itself (1950-1980) ;
10. Philippe Dubois: Photography and Contemporary Art ;
Conclusion / Appendices / Chronology / Technical Processes /
Bibliography / Notes / Index.
1. Bernard Marbot: Towards the Discovery (before 1839) ;
2. Bernard Marbot: The New Image Takes its First Steps (1839-1850) ;
3. André Rouillé: The Rise of Photography (1851-1870) ;
4. Andre Rouillé: Exploring the World by Photography in the 19th C. ;
5. Photography Comes of Age (1870-1914) :
a. Anne McCauley: An image of Society ;
b. Georges Didi-Huberman: Photography - scientific and seudo-scientific ;
c. Rune Hassner: Photography and the Press ;
d. Rune Hassner: Amateur Photography ;
e. Marc Mëlon: Beyond Reality: Art Photography ;
6. Molly Nesbit: Photography, Art and Modernity (1910-1930) ;
7. Photography and the State Between the Wars
a. Rosalind Sartori: The Soviet Union ;
b. Angelo Schwarz: Fascist Italy ;
c. Ute Eskildsen: Germany: The Weimar Republik ;
d. Rolf Sachsse: Germany: The Third Reich ;
e. Christopher Phillips: The United States: American Society ;
8. Colin Osman: Photography Sure of Itself (1930-1950) ;
9. Lemagny: Photography Unsure of Itself (1950-1980) ;
10. Philippe Dubois: Photography and Contemporary Art ;
Conclusion / Appendices / Chronology / Technical Processes /
Bibliography / Notes / Index.
| Exemplaarnummer | R002397 |
| Instellingsnaam | |
| Signatuur | $HIST LEMAGNY.J 1987 |
| Exemplaarnummer | R022408 |
| Instellingsnaam | |
| Signatuur | 20 H 1 1987 HIST |