Multiple Views. Logan Grant Essays on Photography. 1983-1989.
-
Exemplaarnummer Plaatscode Signatuur R002098 Ned. Fotomuseum $T YOUNGER.D 1991 F000663 FOAM $THEO YOUNGER.D 1991
TitelMultiple Views. Logan Grant Essays on Photography. 1983-1989.
Auteur
Fotograaf
Jaar van uitgave1991
MateriaalTekstboek
DocumenttypeBoek
ISBN0-8263-12446
Annotatie413 pp., notes, appendix, pb;
TrefwoordArbeiter-Fotograf, fototijdschrift, D, Arbeiterfotografie, Farm Security Administration, FSA, USA, Geschiedenis van de fotografie, Geneeskunde en fotografie, Politiek en fotografie, Proto-historie van de fotografie, Sociale Geschiedenis en fotografie, Theorie van de fotografie
Persoonstrefwoord Boston University Photographic Resource Center, Boston, Mass., USA
Samenvatting
Chapters: 1. Mary Warner Marien: Toward a New History of
Photography ; 2. Anne McCauley: François Arago and the
Politics of the French Invention of Photography ; 3. Shelley
Rice: Parisian View ; 4. Nancy Ann Roth: Electrical Expressions:
The Photographs of Duchenne de Boulogne ; 5. Miles Orvell:
Almost Nature: The Typology of Late Nineteenth-Century
American Photography ; 6. Roger Hull: Emplacement,
Displacement, and the Fate of Photographs ; 7. Maren Stange:
Docuemntary Photography in American Social Reform Movements:
The FSA Project and its Predecessors ; 8. Leah Ollman: The
Worker Photography Movement: camera as weapon ; 9. Judy
Fiskin: Borges, Stryker, Evans: The Sorrows of representatioin ;
10. Westerbeck: American Graphic: The Photography and
Fiction of right Morris ; 11. Hugunin: Meditations pn an
Ukranian Egg ; 12. Kozloff: The privileged Eye ; 13. Deborah
Bright: Victory Gardens: The Public Landscape of Postwar
America ; 14. Grundberg: The Crisis of the Real: Photography
and Postomernism ; 15. Suzanne Seed: The Viewless Womb: A
Hidden Agenda ; 16. Appendix: Logan Grant Recipients and Jurors.
Photography ; 2. Anne McCauley: François Arago and the
Politics of the French Invention of Photography ; 3. Shelley
Rice: Parisian View ; 4. Nancy Ann Roth: Electrical Expressions:
The Photographs of Duchenne de Boulogne ; 5. Miles Orvell:
Almost Nature: The Typology of Late Nineteenth-Century
American Photography ; 6. Roger Hull: Emplacement,
Displacement, and the Fate of Photographs ; 7. Maren Stange:
Docuemntary Photography in American Social Reform Movements:
The FSA Project and its Predecessors ; 8. Leah Ollman: The
Worker Photography Movement: camera as weapon ; 9. Judy
Fiskin: Borges, Stryker, Evans: The Sorrows of representatioin ;
10. Westerbeck: American Graphic: The Photography and
Fiction of right Morris ; 11. Hugunin: Meditations pn an
Ukranian Egg ; 12. Kozloff: The privileged Eye ; 13. Deborah
Bright: Victory Gardens: The Public Landscape of Postwar
America ; 14. Grundberg: The Crisis of the Real: Photography
and Postomernism ; 15. Suzanne Seed: The Viewless Womb: A
Hidden Agenda ; 16. Appendix: Logan Grant Recipients and Jurors.
| Exemplaarnummer | R002098 |
| Instellingsnaam | |
| Signatuur | $T YOUNGER.D 1991 |
| Exemplaarnummer | F000663 |
| Instellingsnaam | |
| Signatuur | $THEO YOUNGER.D 1991 |