Ritual [Dis]Appearance / Seremoni Disparisyon
-
Copy number Shelfmark Shelf mark H004356 huis Marseille M-WIDLINE-C-2025
TitleRitual [Dis]Appearance / Seremoni Disparisyon
Author
Photographer
Iconographic keywords
Place of publicationLos Angeles
PublisherBlack Mountain Studio
Year of publication2025
Pagination128
IllustrationsZwart-Wit en kleur
Dimensions26,7 x 21,5 cm
MaterialMonografie
Document TypeBook
ISBN9798992988703
External document
Bibliographic Noteshc
SubjectFamiliefoto's
Geographical keywordHaïti
Abstract
Widline Cadet’s debut monograph Ritual [Dis]Appearance / Seremoni Disparisyon offers a critical exploration of photography as a visual archive of her family’s diasporic experience. Drawing from her Haitian heritage and personal archive, Cadet weaves together staged portraits, archival interventions, and evocative stills to examine how Black and immigrant identities are shaped, remembered, and at times, fragmented across time and space. Her images are both intimate and expansive—merging personal narrative with broader questions of identity, memory, displacement, cultural continuity and erasure. The book features an essay by Shanna Jean-Baptiste, along with interviews and conversations between Widline and her great aunt, mother, and sister—three women representing different generations of her family.
Excerpt from Kolepyese the essay by contributing writer Shanna Jean-Baptiste: “Cadet has explained that her approach to photography is driven by a deeply personal longing: “there are barely any photographs or documentation of my family. . . . There is a hole left by the absence of a physical or visual object from that time when I try to tell someone about my childhood. As I and my parents’ generation get older—and having lost the last of my grandparents in recent years—I feel more desperate to have an image of them as a point of reference and remembrance when memories start to fail.”[1] What happens when memory begins to fail for those of us living in the diaspora? Does it lead to disappearance? Who or what disappears during this process? Is it the haunting memories of there that risk fading? Is it the very essence of the diasporic identity itself that is under threat? Is assimilation into a different culture a ritual of disappearance?Is it the emergence of a new identity—one that, rather than clinging to a supposed natif-natal (authentic) self, supplants it with something else? If the tension between here and there, a tension so fundamental to diasporic existence, were to dissolve, what would remain?.”
Source: https://blackmountainsstudio.com/
Excerpt from Kolepyese the essay by contributing writer Shanna Jean-Baptiste: “Cadet has explained that her approach to photography is driven by a deeply personal longing: “there are barely any photographs or documentation of my family. . . . There is a hole left by the absence of a physical or visual object from that time when I try to tell someone about my childhood. As I and my parents’ generation get older—and having lost the last of my grandparents in recent years—I feel more desperate to have an image of them as a point of reference and remembrance when memories start to fail.”[1] What happens when memory begins to fail for those of us living in the diaspora? Does it lead to disappearance? Who or what disappears during this process? Is it the haunting memories of there that risk fading? Is it the very essence of the diasporic identity itself that is under threat? Is assimilation into a different culture a ritual of disappearance?Is it the emergence of a new identity—one that, rather than clinging to a supposed natif-natal (authentic) self, supplants it with something else? If the tension between here and there, a tension so fundamental to diasporic existence, were to dissolve, what would remain?.”
Source: https://blackmountainsstudio.com/
| Copy number | H004356 |
| Institution name | |
| Shelf mark | M-WIDLINE-C-2025 |