200cm - Issue 1 - Fresh from the Pheiades
-
Copy number Shelfmark Shelf mark R026695 Ned. Fotomuseum NL ANTH LUNDGREN.R 2025
Title200cm - Issue 1 - Fresh from the Pheiades
Author
Corporate author
Photographer
Iconographic keywords
Place of publicationAmsterdam
Publisher200cm
Year of publication2025
Pagination56
Illustrationsduotone
Dimensions21 x 15 cm.
MaterialAnthologie
Document TypeBook
ISBN9789083318127
Bibliographic Notessc, geniet
Geographical keywordChina
Persons keyword London The Archive of Modern Conflict, GB
Abstract
Do green people exist? A quick search brings up the legend of the green children of Woolpit. This tale recounts the discovery of a brother and sister who appeared largely normal except for the green hue of their skin. They spoke an unknown language and only ate raw beans. According to the girl, they came from a land where the sun never shone, and everything was green.
But let’s be honest, the subjects featured in this zine most likely didn’t come from such a fantastical place, nor from the Pleiades. It’s more probable that photographers manipulated their negatives in the darkroom to enhance their subjects. They would apply magenta ink to certain areas of the photograph (especially the face) to reduce grain in black-and-white prints, functioning as a subtle filter.
Interestingly, this manipulation reflects how the perception of reality in photographs has changed over time. In the early days of photography, adjustments like these were often made to improve the aesthetic qualities of photographs. Today such alterations have become commonplace. The green hue, once an oddity in a world of black-and-white, now serves as a reminder of how the desire for idealised images shapes the way we view both history and the present. source: www.thelibraryproject.ie
But let’s be honest, the subjects featured in this zine most likely didn’t come from such a fantastical place, nor from the Pleiades. It’s more probable that photographers manipulated their negatives in the darkroom to enhance their subjects. They would apply magenta ink to certain areas of the photograph (especially the face) to reduce grain in black-and-white prints, functioning as a subtle filter.
Interestingly, this manipulation reflects how the perception of reality in photographs has changed over time. In the early days of photography, adjustments like these were often made to improve the aesthetic qualities of photographs. Today such alterations have become commonplace. The green hue, once an oddity in a world of black-and-white, now serves as a reminder of how the desire for idealised images shapes the way we view both history and the present. source: www.thelibraryproject.ie
| Copy number | R026695 |
| Institution name | |
| Shelf mark | NL ANTH LUNDGREN.R 2025 |