Pictures of hell
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Copy number Shelfmark Shelf mark R025211 Ned. Fotomuseum USA MON RUWEDEL.M 2015
TitlePictures of hell
Author
Photographer
Iconographic keywords
Place of publicationLos Angeles
PublisherRam Publications
Year of publication2014
Pagination330
IllustrationsZwart-Wit
Dimensions31,5 x 25 cm.
MaterialMonografie
Document TypeBook
ISBN9780970386038
Bibliographic Noteshc, met beeldindex
Geographical keywordVerenigde Staten
Abstract
Devils Canyon, Hells Half Acre, Dirty Devil River: photographer Mark Ruwedel visited all of these places and more, while creating the series Pictures of Hell. This book is the culmination of the journey he began in 1995, and brings together virtually every photographic image in the artist’s brilliant interpretation of the American West. This interpretation focuses on sites and places with the word “hell” or “devil” or some variation thereof in their names.
Place names evoking Satan and his dominion were imposed on the arid Western landscape by Euro-American explorers and settlers, who considered it desolate wilderness, cursed, populated with heathens and demons. By naming them, Euro-Americans symbolically took possession of these sites, denying the existence of indigenous cultures. These place names may also suggest the frustrations or whimsical humor of the nominators.
Ruwedel is inspired by the 19th-century photographers whose photo albums revealed the glories of the West. He differs from those earlier photographers, however, in that his view of the landscape is not uncritical. Rather, in Pictures of Hell, he layers history with a contemporary investigation of technology, anthropology and colonization.
Source: www.photoeye.com
Place names evoking Satan and his dominion were imposed on the arid Western landscape by Euro-American explorers and settlers, who considered it desolate wilderness, cursed, populated with heathens and demons. By naming them, Euro-Americans symbolically took possession of these sites, denying the existence of indigenous cultures. These place names may also suggest the frustrations or whimsical humor of the nominators.
Ruwedel is inspired by the 19th-century photographers whose photo albums revealed the glories of the West. He differs from those earlier photographers, however, in that his view of the landscape is not uncritical. Rather, in Pictures of Hell, he layers history with a contemporary investigation of technology, anthropology and colonization.
Source: www.photoeye.com
| Copy number | R025211 |
| Institution name | |
| Shelf mark | USA MON RUWEDEL.M 2015 |