History of photography in China : Western photographers, 1861-1879
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Copy number Shelfmark Shelf mark R018895 Ned. Fotomuseum $HIST BENNETT.T 2010
TitleHistory of photography in China : Western photographers, 1861-1879
Place of publicationLondon
PublisherQuaritch
Year of publication2010
Pagination431 p
IllustrationsZwart-Wit en kleur
Dimensions24 x 25 cm.
MaterialAnthologie
Document TypeBook
ISBN97809563012150956301215
Bibliographic NotesIncludes bibliographical references (p. 383-392) and index of photographers.
SubjectGeschiedenis van de fotografie, Geschiedenis van de fotografie: CHI (China), Geschiedenis van de reisfotografie
Geographical keywordChina
Abstract
We cite from the COVER:
"History of Photography in China: Western Photographers 1861-1879 Terry Bennett
Profusely illustrated with reproductions of several hundred original photographs, this is the most extensive general survey in any language of Western photographers working in China in the 1860s and 1870s. Over eighty different photographers - from well-known professionals to little-known amateurs - are discussed, with a mass of biographical information, much previously unpublished. Numerous images are attributed to particular photographers for the first time and several hitherto unknown photographers are identified."
"Prominent among the photographers included are John Thomson, a consummate professional whose travels of several thousand miles produced the most extensive photographic record of China in the nineteenth century; William Floyd, who pursued a long and successful career as a photographer in Hong Kong; David Griffith, one of the most technically adept photographers in China during these years and a writer on photographic matters who worked for a while with the Chinese photographer Lai Afong; Thomas Child and John Dudgeon, an engineer and a missionary doctor respectively in Peking who were also talented photographers; William Saunders and Henry Cammidge, both professionals based in Shanghai; and the controversial St Julian Edwards in Amoy who combined photography with a multitude of other activities, legal and illegal. Several Russian photographers are considered, providing an important introduction to an often overlooked and distinctive aspect of photography in China in this period."
"The book is divided into chapters on the Hong Kong Studios, Photography in Peking, Photography in the Treaty Ports (including Shanghai, Canton and Tientsin), Roving Photographers, The Ruins of the European Palaces in the Yuanmingyuan, and Photographic Periodicals. There follows a valuable series of documentary appendices listing the work of various photographers and printing extensive extracts from contemporary reviews and other writings on photography in China in the 1860s and 1870s. It concludes with a bibliography, general and regional chronologies, and a biographical index."
"History of Photography in China: Western Photographers 1861-1879 is a sequel to the author's History of Photography in China 1842-1860, published by Quaritch in 2009 (see back flap). Chinese photographers working from i860 through to the late Qing era will be the subject of a further volume."
"History of Photography in China: Western Photographers 1861-1879 Terry Bennett
Profusely illustrated with reproductions of several hundred original photographs, this is the most extensive general survey in any language of Western photographers working in China in the 1860s and 1870s. Over eighty different photographers - from well-known professionals to little-known amateurs - are discussed, with a mass of biographical information, much previously unpublished. Numerous images are attributed to particular photographers for the first time and several hitherto unknown photographers are identified."
"Prominent among the photographers included are John Thomson, a consummate professional whose travels of several thousand miles produced the most extensive photographic record of China in the nineteenth century; William Floyd, who pursued a long and successful career as a photographer in Hong Kong; David Griffith, one of the most technically adept photographers in China during these years and a writer on photographic matters who worked for a while with the Chinese photographer Lai Afong; Thomas Child and John Dudgeon, an engineer and a missionary doctor respectively in Peking who were also talented photographers; William Saunders and Henry Cammidge, both professionals based in Shanghai; and the controversial St Julian Edwards in Amoy who combined photography with a multitude of other activities, legal and illegal. Several Russian photographers are considered, providing an important introduction to an often overlooked and distinctive aspect of photography in China in this period."
"The book is divided into chapters on the Hong Kong Studios, Photography in Peking, Photography in the Treaty Ports (including Shanghai, Canton and Tientsin), Roving Photographers, The Ruins of the European Palaces in the Yuanmingyuan, and Photographic Periodicals. There follows a valuable series of documentary appendices listing the work of various photographers and printing extensive extracts from contemporary reviews and other writings on photography in China in the 1860s and 1870s. It concludes with a bibliography, general and regional chronologies, and a biographical index."
"History of Photography in China: Western Photographers 1861-1879 is a sequel to the author's History of Photography in China 1842-1860, published by Quaritch in 2009 (see back flap). Chinese photographers working from i860 through to the late Qing era will be the subject of a further volume."
| Copy number | R018895 |
| Institution name | |
| Shelf mark | $HIST BENNETT.T 2010 |