My brother's keeper. Documentary Phototgraphers and Human Righs.
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Copy number Shelfmark Shelf mark R012950 Ned. Fotomuseum $FOTOJ MAURO.A 2007 V000408 JOU MAURO, A. 2007
TitleMy brother's keeper. Documentary Phototgraphers and Human Righs.
Author
Place of publicationRoma
PublisherContrastoDue srl
Year of publication2007
Pagination313
Illustrationsb&w
DimensionsA4
MaterialAnthologie
Document TypeBook
Bibliographic Noteshc; 978-88-6965-061-1;
Abstract
We cite from the cover:
"Their names are Lewis Hine, Sebastiao Salgado, Eugene Smith, Tom Stoddart, Igor Kostin; they have tackled hunger, drought, ecological catastrophes, AIDS: they are documentary photographers who have decided to aim their cameras at a series of stories that had to be revealed, told, published and known.
My Brother's keepers gathers 22 authors and 20 exemplary stories of documentary photography. Each one is presented with an introductory text and an accurate selection of photographs conveys the sense and value of these extremely important reports.
From mid-nineteenth century America, in which Jacob Riis uses his camera in his strive to show to everyone "how the other half lives", to Lucinda Devlin's more recent production which exposes the death chambers found in American prisons - the so-called omega suites - we can keep track of the history of our days as well as of the history of photography, of those concerned authors who wanted to "show things that had to be corrected. Who wanted to show things that had to be appreciated".
Edited by Alessandra Mauro with an essay on photojournalism and human rights by Susie Linfield."
"Their names are Lewis Hine, Sebastiao Salgado, Eugene Smith, Tom Stoddart, Igor Kostin; they have tackled hunger, drought, ecological catastrophes, AIDS: they are documentary photographers who have decided to aim their cameras at a series of stories that had to be revealed, told, published and known.
My Brother's keepers gathers 22 authors and 20 exemplary stories of documentary photography. Each one is presented with an introductory text and an accurate selection of photographs conveys the sense and value of these extremely important reports.
From mid-nineteenth century America, in which Jacob Riis uses his camera in his strive to show to everyone "how the other half lives", to Lucinda Devlin's more recent production which exposes the death chambers found in American prisons - the so-called omega suites - we can keep track of the history of our days as well as of the history of photography, of those concerned authors who wanted to "show things that had to be corrected. Who wanted to show things that had to be appreciated".
Edited by Alessandra Mauro with an essay on photojournalism and human rights by Susie Linfield."
| Copy number | R012950 |
| Institution name | |
| Shelf mark | $FOTOJ MAURO.A 2007 |
| Copy number | V000408 |
| Institution name | |
| Shelf mark | JOU MAURO, A. 2007 |