Africus: Johannesburg
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Copy number Shelfmark Shelf mark R007275 Ned. Fotomuseum RSA EXH JOHANNESBURG 1995
TitleAfricus: Johannesburg
Author
Corporate author
Iconographic keywords
Place of publicationJohannesburg
PublisherTransitional Metropolitan Council
Year of publication1995
Pagination304
Illustrationsb&w. c.
DimensionsA4
MaterialTentoonstellingscatalogus
Document TypeBook
ISBN0-86998-1714
Bibliographic Notespb.
Geographical keywordZuid-Afrika
Persons keyword Johannesburg Transitional Metropolitan council
Abstract
The Johannesburg Biennale stands as a significant moment in both South Africa's cultural history and the global contemporary art landscape. Emerging in 1995, shortly after the end of apartheid and the country's transition to democracy, the Biennale represented South Africa's reentry into the international cultural arena after decades of cultural isolation and boycotts.
Despite only lasting for two editions (1995 and 1997), the Johannesburg Biennale had a profound impact on reshaping perspectives on global art, challenging Eurocentric narratives, and creating a platform for dialogue between the Global South and North. It introduced innovative curatorial approaches that would influence biennials worldwide in subsequent decades.
The Biennale's cancellation after its second edition in 1997 due to funding challenges and shifting political priorities left a complex legacy. Nevertheless, its brief existence marked a pivotal moment in the decolonization of global art discourse and remains influential in discussions about art, politics, and representation in post-colonial contexts.
source: biennale.com/joburg.html
Despite only lasting for two editions (1995 and 1997), the Johannesburg Biennale had a profound impact on reshaping perspectives on global art, challenging Eurocentric narratives, and creating a platform for dialogue between the Global South and North. It introduced innovative curatorial approaches that would influence biennials worldwide in subsequent decades.
The Biennale's cancellation after its second edition in 1997 due to funding challenges and shifting political priorities left a complex legacy. Nevertheless, its brief existence marked a pivotal moment in the decolonization of global art discourse and remains influential in discussions about art, politics, and representation in post-colonial contexts.
source: biennale.com/joburg.html
| Copy number | R007275 |
| Institution name | |
| Shelf mark | RSA EXH JOHANNESBURG 1995 |