Veronica's Revenge : Contemporary Perspectives on Photography
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Copy number Shelfmark Shelf mark R005492 Ned. Fotomuseum $COLL LAMBERT.M 1997
TitleVeronica's Revenge : Contemporary Perspectives on Photography
Author
Photographer
Place of publicationZürich
PublisherScalo
Year of publication1998
Pagination254
IllustrationsZwart-Wit en kleur
DimensionsA4
MaterialAnthologie
Document TypeBook
ISBN3-931141-780
Bibliographic Notescb;
Abstract
Texts :
1. A. Grundberg: Art and Photography, Photography and Art: Across the Modernist Membrane ;
2. L. Cottingham: Re-framing the Subject: Feminism and Photography ;
3. Jeff Wall: Marks of Indifference: Aspects of Photography in, or as, Conceptual Art ;
4. Holger Liebs: The Same returns - The Tradition of Documentary Photography ;
5. Bice Curiger: When Borders Blend, Where is the Art? ;
6. J. Blessing: Notes on the Sacred in Contemporary Art ;
7. Marina Warner: Playacting, Chimerae and the Late Grotesque ;
8. Stuart Morgan: "Once Very Familiar" ;
9. Jeff Rian: Washed Up on the Shores of Light ;
10. R. Flood: Voodoo Auteurism: Film Stills and Photography ;
11. H. Liebs: Who Are You, Spectre? The Mythical Potential of Technological Media ;
12. H. Visser: "What Are Museums Making of Photography?" ;
13. N. Wakefield: Second-hand Daylight: An Aesthetics of Disappointment.
1. A. Grundberg: Art and Photography, Photography and Art: Across the Modernist Membrane ;
2. L. Cottingham: Re-framing the Subject: Feminism and Photography ;
3. Jeff Wall: Marks of Indifference: Aspects of Photography in, or as, Conceptual Art ;
4. Holger Liebs: The Same returns - The Tradition of Documentary Photography ;
5. Bice Curiger: When Borders Blend, Where is the Art? ;
6. J. Blessing: Notes on the Sacred in Contemporary Art ;
7. Marina Warner: Playacting, Chimerae and the Late Grotesque ;
8. Stuart Morgan: "Once Very Familiar" ;
9. Jeff Rian: Washed Up on the Shores of Light ;
10. R. Flood: Voodoo Auteurism: Film Stills and Photography ;
11. H. Liebs: Who Are You, Spectre? The Mythical Potential of Technological Media ;
12. H. Visser: "What Are Museums Making of Photography?" ;
13. N. Wakefield: Second-hand Daylight: An Aesthetics of Disappointment.
| Copy number | R005492 |
| Institution name | |
| Shelf mark | $COLL LAMBERT.M 1997 |