Aleksandr Rodchenko's Lines of Force
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Copy number Shelfmark Shelf mark R073711 Ned. Fotomuseum tate papers 12 2009 Brandon Taylor
TitleAleksandr Rodchenko's Lines of Force
Author
Edition[nummer] 12
[tijdschrift; titel] Tate Papers
[tijdschrift; maand] October
Photographer
Year of publication2009
Materialartikel
Document TypeArticle
External document
Tate_Papers_12_2009_Brandon_Taylor_Aleksandr Rodchenko’s Lines of Force_[ocr][o].pdf
Abstract
Rodchenko's research into the concept of line was fundamental to the ambitions of Russian
constructivism. Careful examination of his paintings and objects from 1918 to 1921 show
both the experimentalism and the hesitations that accompanied his move from construction
to production art. Based on the 2009 Tate Modern exhibition Rodchenko and Popova:
Defining Constructivism, the article reflects on the successes and limitations of
Rodchenko's experiment.
constructivism. Careful examination of his paintings and objects from 1918 to 1921 show
both the experimentalism and the hesitations that accompanied his move from construction
to production art. Based on the 2009 Tate Modern exhibition Rodchenko and Popova:
Defining Constructivism, the article reflects on the successes and limitations of
Rodchenko's experiment.
| Copy number | R073711 |
| Institution name | |
| Shelf mark | tate papers 12 2009 Brandon Taylor |