[TOC] Aperture no. 190, Spring 2008 --- Table of Contents

CONTENTS
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REVIEWS * John Howell on Richard Prince * Carlo McCormick on Chris Marker * Robert Glück on Dark Matters * Christopher Phillips on Three Shadows Photography Art Centre * Aaron Schuman on How We Are: Photographing Britain * Shelley Rice on Pierre et Gilles
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COLOUR BEFORE COLOR * Compiled and introduced by Martin Parr * Martin Parr takes a look at six important but overlooked European practitioners of color photography
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THE SHADOW OF THE WORLD: JAMES WELLING'S CAMERALESS AND ABSTRACT PHOTOGRAPHY * by Noam M. Scott * Abstraction and photograms have been a consistent part of Welling's photographic practice. Elcott traces these essential aspects of his work.
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FROM ECSTASY TO AGONY: THE FASHION SHOOT IN CINEMA * by David Campany * Campany considers the portrayal of the fashion photographer in films, from Funny Face to Blow-Up
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JH ENGSTROM: LOOKING FOR PRESENCE * by Martin Jaeggi * Jaeggi discusses this Swedish photographer's enigmatic work, which explores themes of loneliness and introspection
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PRESENCE OF MIND: THE PHOTOGRAPHS OF PHILIP JONES GRIFFITHS * interview by William Messer * Griffiths discusses his shattering work in Vietnam and Cambodia, and offers his views on photography today.
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MUZI QUAWSON: PULL BACK THE SHADE * A selection of images from this emerging British photographer's début series
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OF OTHER TIMES AND PLACES * by Fred Ritchin * In the first of an ongoing series of articles, Ritchin invites us to explore the "postphotographic" landscape
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IN A LONELY PLACE * by Gregory Crewdson * Crewdson reflects upon the films, paintings, and photographs from which he draws inspiration, and shows a few new works of his own.
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BOOKS * Vince Aletti on Bob Richardson * Michael Famighetti on three books by Boris Mikhailov
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MIND'S EYE * Vittorio Storaro on Caravaggio
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