VISUAL CRIMINOLOGY: Using Photography as an Ethnographic Research Method in Criminal Justice Settings.
-
Copy number Shelfmark Shelf mark R073600 Ned. Fotomuseum Ned. fotomuseum
TitleVISUAL CRIMINOLOGY: Using Photography as an Ethnographic Research Method in Criminal Justice Settings.
Author
Iconographic keywords
Year of publication2005
Materialartikel
Document TypeArticle
External document
SubjectFotografie als onderzoeksmethode, Misdaad en fotografie, Forensische fotografie, Misdaad fotojournalistiek, digitaal beschikbaar
Abstract
[ Abstract: ]
Visual criminology can be defined broadly to include the use of photography and
videography for a number of purposes, including (1) ethnographic fieldwork and
research, (2) news media usages of visual materials (e.g., crime photojournalism
and war crimes photography) and (3) the collection of evidentiary (e.g., forensics)
and other legal materials. This essay will briefly discuss the second and third,
while focusing on academic research and related pedagogical issues. While
visual anthropology, visual sociology and the broader field of visual studies have
grown in significance in the recent past, visual criminology as a research
methodology remains an under-explored area ripe for ethnographic investigation
(data collection, analysis and theory building). This essay is based upon the
author's experiences of conducting both officially approved photography of law
enforcement activities, correctional facilities, forensic laboratories and anti-
terrorism exercises in the United States, as well as “street photography” of
police-citizen interactions in a number of countries (USA, UK, Italy, France,
Canada, Poland). Primarily these efforts focused on two related phenomenon: (1)
the criminal justice system as an everyday work experience for criminal justice
employees and (2) the nature of the communities and situations in which police
and correctional officers interact with citizens on the street and inside criminal
justice facilities. The social science issues to be discussed include (1) initial data
collection decisions, (2) entry into the field, (3) ethical and human subjects
concerns, (4) data analysis: from categorizing images to selecting specific
images that have an ethnographic “richness” for depth discussion and, finally, (5)
theory building. A theory-driven visual case study of police-citizen public
encounters is highlighted. In addition to research, the creation of visual materials
related to criminal justice has a number of pedagogical enhancement possibilities
by introducing visual materials into the classroom and electronic teaching
materials. Finally, a discussion of the role of visual imagery vis-à-vis text in
criminological ethnographic description is undertaken, and then compared to
academic criminology’s currently dominant research paradigm of combining
mathematics and text in the effort to describe behavior and the forces at play in
the social world. By combining both qualitative and quantitative methodologies a
closer verisimilitude to lived experience might be possible. Photography as a
form of visual criminology may have an important role to play in this process.
Visual criminology can be defined broadly to include the use of photography and
videography for a number of purposes, including (1) ethnographic fieldwork and
research, (2) news media usages of visual materials (e.g., crime photojournalism
and war crimes photography) and (3) the collection of evidentiary (e.g., forensics)
and other legal materials. This essay will briefly discuss the second and third,
while focusing on academic research and related pedagogical issues. While
visual anthropology, visual sociology and the broader field of visual studies have
grown in significance in the recent past, visual criminology as a research
methodology remains an under-explored area ripe for ethnographic investigation
(data collection, analysis and theory building). This essay is based upon the
author's experiences of conducting both officially approved photography of law
enforcement activities, correctional facilities, forensic laboratories and anti-
terrorism exercises in the United States, as well as “street photography” of
police-citizen interactions in a number of countries (USA, UK, Italy, France,
Canada, Poland). Primarily these efforts focused on two related phenomenon: (1)
the criminal justice system as an everyday work experience for criminal justice
employees and (2) the nature of the communities and situations in which police
and correctional officers interact with citizens on the street and inside criminal
justice facilities. The social science issues to be discussed include (1) initial data
collection decisions, (2) entry into the field, (3) ethical and human subjects
concerns, (4) data analysis: from categorizing images to selecting specific
images that have an ethnographic “richness” for depth discussion and, finally, (5)
theory building. A theory-driven visual case study of police-citizen public
encounters is highlighted. In addition to research, the creation of visual materials
related to criminal justice has a number of pedagogical enhancement possibilities
by introducing visual materials into the classroom and electronic teaching
materials. Finally, a discussion of the role of visual imagery vis-à-vis text in
criminological ethnographic description is undertaken, and then compared to
academic criminology’s currently dominant research paradigm of combining
mathematics and text in the effort to describe behavior and the forces at play in
the social world. By combining both qualitative and quantitative methodologies a
closer verisimilitude to lived experience might be possible. Photography as a
form of visual criminology may have an important role to play in this process.
| Copy number | R073600 |
| Institution name | |
| Shelf mark | Ned. fotomuseum |