Rossetti's Reputation: A Study of the Dissemination of His Art through Photographs
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Copy number Shelfmark Shelf mark R073251 Ned. Fotomuseum Ned. fotomuseum
TitleRossetti's Reputation: A Study of the Dissemination of His Art
through Photographs
Author
Edition[nummer] 3
[jaargang] VIII
[tijdschrift; titel] VISUAL RESOURCES
[tijdschrift; pagina] 219-245
Photographer
Iconographic keywords
Year of publication1992
Materialartikel
Document TypeArticle
SubjectKunst en fotografie, Kunstgeschiedenis en fotografie, Geschiedenis van de fotografie: GB (Groot-Britannië), Fotografische reproductie van kunst, Reproductie van kunstwerken
Abstract
An attempt to decipher one of the mysteries surrounding the
influence of Dante Gabriel Rossetti's art on the continent from
the 1870s on: how did artists obtain access to Rossetti's work,
as he never exhibited his paintings or drawings on the
continent, nor did continental collections have any examples of
his work. Rossetti was particularly interested in photography as
a medium to reproduce works of art, as he was never satisfied by
the way in which his drawings were transformed by professional
wood engravers into finished illustrations. An overview is given
of the photographers Rossetti commissioned to photograph his
work. Concluding remarks by the author: ""For an artist like
Rossetti who exhibited works rarely in Britain, and never on the
continent, it was photography that confirmed his reputation
abroad as an artist, and gave eager viewers some notions of his
themes and technique. The role photography played in
establishing Rossetti's reputation could be repeated many times
over for a number of other 19th century artists on both sides of
the channel.''
Simmons College, Boston
Chairman of the Department of Art and Music
Citaten:
Faxon, A.: The Medium is NOT the Message (1991)
Holman Hunt, W.: PreRaphaelitism ... (1905)
Hamber, A.: The Photography of Visual Arts 1839-1880 (VR 1989)
Gersnheim, H. and A.: A Concise History of Photography (1965)
Bartram, M.: The Pre-Raphaelite Camera (1985)
Camp Troxell, J.: Three Rossettis (1937)
Goldberg, V.: Photography in Print (1988)
Baden-Pritchard, H.: The Photographic Studios of Europe (1882)
Castera, S.P.: English Pre-Raphaelites and its Reception in America (1990)
influence of Dante Gabriel Rossetti's art on the continent from
the 1870s on: how did artists obtain access to Rossetti's work,
as he never exhibited his paintings or drawings on the
continent, nor did continental collections have any examples of
his work. Rossetti was particularly interested in photography as
a medium to reproduce works of art, as he was never satisfied by
the way in which his drawings were transformed by professional
wood engravers into finished illustrations. An overview is given
of the photographers Rossetti commissioned to photograph his
work. Concluding remarks by the author: ""For an artist like
Rossetti who exhibited works rarely in Britain, and never on the
continent, it was photography that confirmed his reputation
abroad as an artist, and gave eager viewers some notions of his
themes and technique. The role photography played in
establishing Rossetti's reputation could be repeated many times
over for a number of other 19th century artists on both sides of
the channel.''
Simmons College, Boston
Chairman of the Department of Art and Music
Citaten:
Faxon, A.: The Medium is NOT the Message (1991)
Holman Hunt, W.: PreRaphaelitism ... (1905)
Hamber, A.: The Photography of Visual Arts 1839-1880 (VR 1989)
Gersnheim, H. and A.: A Concise History of Photography (1965)
Bartram, M.: The Pre-Raphaelite Camera (1985)
Camp Troxell, J.: Three Rossettis (1937)
Goldberg, V.: Photography in Print (1988)
Baden-Pritchard, H.: The Photographic Studios of Europe (1882)
Castera, S.P.: English Pre-Raphaelites and its Reception in America (1990)
| Copy number | R073251 |
| Institution name | |
| Shelf mark | Ned. fotomuseum |