Don Gill: Sites of Production
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Copy number Shelfmark Shelf mark R073242 Ned. Fotomuseum Ned. fotomuseum
TitleDon Gill: Sites of Production
Author
Corporate author
Edition[nummer] 4
[jaargang] IX
[tijdschrift; titel] BLACKFLASH
[tijdschrift; maand] Winter
[tijdschrift; pagina] 5-6;12
Photographer
Iconographic keywords
Year of publication1992
Materialartikel
Document TypeArticle
SubjectBiografieën, documentaire fotografie, landschapsfotografie, Fotografische infrastructuur: CDN (Canada), Fotografie als kunst, Politiek en fotografie, Topografische fotografie
Geographical keywordWest-Canada
Abstract
An extensive review of the "Sites of Production" series by
Canadian photographer Don Gill. Don Gill is described as 'a
wandering artist who works with social history through images
that reflect his direct experience of the tourists' response to
our landscape and history'. The author critically discusses the
notion of documentary style and its status of primary truth
gatherer, replacing this notion by 'doing social history,
broadly speaking'. Gill speaks of his work in terms of
'connotative documentary'. The author locates Don Gill's work in
the tradition, begun in the 1970s, of examining and picturing
the Western Canadian landscape in terms of its social and
political activity, and compares Gill's project with work done
by Jeff Wall, Ian Wallace, Michael de Courcy, Rodney Graham,
Henri Robideau, Roy Arden, Joey Morgan and Eleanor Bond.
Canadian photographer Don Gill. Don Gill is described as 'a
wandering artist who works with social history through images
that reflect his direct experience of the tourists' response to
our landscape and history'. The author critically discusses the
notion of documentary style and its status of primary truth
gatherer, replacing this notion by 'doing social history,
broadly speaking'. Gill speaks of his work in terms of
'connotative documentary'. The author locates Don Gill's work in
the tradition, begun in the 1970s, of examining and picturing
the Western Canadian landscape in terms of its social and
political activity, and compares Gill's project with work done
by Jeff Wall, Ian Wallace, Michael de Courcy, Rodney Graham,
Henri Robideau, Roy Arden, Joey Morgan and Eleanor Bond.
| Copy number | R073242 |
| Institution name | |
| Shelf mark | Ned. fotomuseum |