Sharing the Power. A Multivocal Documentary. (De meerstemmige documentaire - delen in de macht)
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Copy number Shelfmark Shelf mark R073157 Ned. Fotomuseum Ned. fotomuseum
TitleSharing the Power. A Multivocal Documentary. (De meerstemmige
documentaire - delen in de macht)
Author
Edition[nummer] 41
[tijdschrift; titel] PERSPEKTIEF
[tijdschrift; pagina] 4-17
Photographer
Iconographic keywords
Year of publication1991
Materialartikel
Document TypeArticle
SubjectAntropologie en fotografie, Arbeiter-Fotograf, fototijdschrift, D, Arbeiterfotografie, Film en fotografie, Kolonialisme en fotografie, Geëngageerde fotografie, Kritische theorie, Culturele studies en fotografie, documentaire fotografie, Etnografie en fotografie, Fotojournalistiek, Politiek en fotografie, Beleid achter representatie, Racisme en fotografie, Representatie en fotografie, Maatschappij en fotografie, Theorie van de fotografie
Persons keyword Amsterdam Repositioning Documentary, NL
Abstract
The author explores the possibility of multivocal productions
within cultural anthropology and documentary film and
photography. Multivocal meaning: the sharing of the power of
authorship. They are the result of a re-examination of the place
of Western imagemaking in a postcolonial world. While most of
the author's article concentrates on anthropology and film, the
questions raised pertain directly to current dilemmas in
documentary photography. Both have been afflicted by the 'crisis
of representation'. The author's somber conclusion of his
thorough exploration: ""The grandiose expectations we had about
documentary media are exhausted. It should be possible to
construct a practice with modest aspirations, one that neither
pretends it has the power to change the world nor the desire to
pity but instead aids in our attempt to comprehend and critique
a world grown increasingly incomprehensible. Documentarians will
have to learn to share their power to represent or they may lose
it altogether''.
Citaten:
Berger, J.: Ways of Seeing (1972)
Berger, J.: About Looking (1980)
Berger, J.: Another Way of Telling (1982)
Spence, J.: Putting myself in the picture (1986)
Becker, H.: Art Worlds (1982)
Brandt, D. a.o.: Getting There (1982)
Becker, H.: Photography and Sociology (St.Vis.Anthr. 1974, I,1)
Clifford, J. / Marcus, G. (eds.): Writing Culture (1986)
Conde, C. / Beveridge, K.: First Contract (1986)
Conde, C. / Beveridge, K.: Class Work (1990)
Carpenter, E.: Oh, What a Blow .. (1974)
Clifford, J.: The Predicaments of Culture (1988)
Ewald, W.: Retrato de un Pueblo (Aperture 1990, 119)
Flaherty, R.: Robert Flaherty Talking (In: Cinema 1950, 1950)
DeLoria, V.: Custer Died For Your Sins (1969)
Ewald, W.: Portraits and Dreams (1985)
Feld, S.: Themes in the cinema of Jean Rouch (Vis.Anthr. 1989, II/3-4)
Gerbner, G. a.o.: The Mainstreaming of America (J.o.Comm.1980,v30,i3)
Gerbner, G. Charting the Mainstream (J.o.Comm. 1982, v32)
Ginsburg, F.: Indigenous Media (1990, unpubl.)
Grundberg, A.: Ask It No Questions (1990, NY Times setc. 2)
Gerbner, G. / Gross, L.: Living with TV (J. of Comm. 1976, XXVI/2)
Geertz, C.: Thick Description (1973)
Geertz, C.: Works and Lives (1988)
Gever, M.: Interv. with Martha Rosler (Afterim. 1981, IX/3)
Gibbs, M.: Stephen Willats' Creative Strategies (Persp. 1990, 38)
Ginsburg, F.: In Whose Image (Commis. on Vis. Anthr. Rev. 1989, 6)
Gross, L.: The Ethics of (Mis)Representation (in: Image Ethics, 1988)
Michaels, E.: A Primer on Restrictions (1991, Vis. Anthr...)
Hardt, H. / Ohrn, K.B.: The Eyes of the Proletariat (St.Vis.Comm. 1981, VII/4)
Hymes, D. (ed): Reinventing Anthropology (1968)
Malinowski, B.: Argonauts of the Western Pacific (1922)
Marcus, G.E. / Fischer, M.M.: Anthropology as Cultural Critique (1986)
Michaels, E.: For a Cultural Future (1987)
Ruby, J.: Speaking For, Speaking About,..(1991, unpubl.)
Rosler, M.: Some Documentary Photography (Afterim. 1983, XI/1-2)
Rouch, J.: The Camera and Man (St.Anthr.of Vis.Comm. 1974, I/1)
Rouch, J.: On the Vicissitudes of the Self (St.Vis.Comm. 1971, V/1)
Sekula, A.: Dismantling Modernism (Mass.Rev. 1978, XIX/4)
Worth, S.: Toward an Anthropological Politics of Symbolic Form (1981)
Worth, S. / Adair, J.: Through Navaho Eyes (1972)
Trend, D.: Changing the Subject (Afterim. 1988, XVI/4)
Turner, T.: Visual Media, Cultural Politics and .. (Comm.onVis.Anhr.Rev. 1990,Spring)
Winston, B.: The Tradition of the Victim in Grierson (in: Image Ethics 1988)
Woodward, R.B.: Serving Up the Poor as Exotic .. (NY Times, 1989, 18 June)
Young, C.: Observational Cinema (in: Principles of Vis. Anthr. 1976)
within cultural anthropology and documentary film and
photography. Multivocal meaning: the sharing of the power of
authorship. They are the result of a re-examination of the place
of Western imagemaking in a postcolonial world. While most of
the author's article concentrates on anthropology and film, the
questions raised pertain directly to current dilemmas in
documentary photography. Both have been afflicted by the 'crisis
of representation'. The author's somber conclusion of his
thorough exploration: ""The grandiose expectations we had about
documentary media are exhausted. It should be possible to
construct a practice with modest aspirations, one that neither
pretends it has the power to change the world nor the desire to
pity but instead aids in our attempt to comprehend and critique
a world grown increasingly incomprehensible. Documentarians will
have to learn to share their power to represent or they may lose
it altogether''.
Citaten:
Berger, J.: Ways of Seeing (1972)
Berger, J.: About Looking (1980)
Berger, J.: Another Way of Telling (1982)
Spence, J.: Putting myself in the picture (1986)
Becker, H.: Art Worlds (1982)
Brandt, D. a.o.: Getting There (1982)
Becker, H.: Photography and Sociology (St.Vis.Anthr. 1974, I,1)
Clifford, J. / Marcus, G. (eds.): Writing Culture (1986)
Conde, C. / Beveridge, K.: First Contract (1986)
Conde, C. / Beveridge, K.: Class Work (1990)
Carpenter, E.: Oh, What a Blow .. (1974)
Clifford, J.: The Predicaments of Culture (1988)
Ewald, W.: Retrato de un Pueblo (Aperture 1990, 119)
Flaherty, R.: Robert Flaherty Talking (In: Cinema 1950, 1950)
DeLoria, V.: Custer Died For Your Sins (1969)
Ewald, W.: Portraits and Dreams (1985)
Feld, S.: Themes in the cinema of Jean Rouch (Vis.Anthr. 1989, II/3-4)
Gerbner, G. a.o.: The Mainstreaming of America (J.o.Comm.1980,v30,i3)
Gerbner, G. Charting the Mainstream (J.o.Comm. 1982, v32)
Ginsburg, F.: Indigenous Media (1990, unpubl.)
Grundberg, A.: Ask It No Questions (1990, NY Times setc. 2)
Gerbner, G. / Gross, L.: Living with TV (J. of Comm. 1976, XXVI/2)
Geertz, C.: Thick Description (1973)
Geertz, C.: Works and Lives (1988)
Gever, M.: Interv. with Martha Rosler (Afterim. 1981, IX/3)
Gibbs, M.: Stephen Willats' Creative Strategies (Persp. 1990, 38)
Ginsburg, F.: In Whose Image (Commis. on Vis. Anthr. Rev. 1989, 6)
Gross, L.: The Ethics of (Mis)Representation (in: Image Ethics, 1988)
Michaels, E.: A Primer on Restrictions (1991, Vis. Anthr...)
Hardt, H. / Ohrn, K.B.: The Eyes of the Proletariat (St.Vis.Comm. 1981, VII/4)
Hymes, D. (ed): Reinventing Anthropology (1968)
Malinowski, B.: Argonauts of the Western Pacific (1922)
Marcus, G.E. / Fischer, M.M.: Anthropology as Cultural Critique (1986)
Michaels, E.: For a Cultural Future (1987)
Ruby, J.: Speaking For, Speaking About,..(1991, unpubl.)
Rosler, M.: Some Documentary Photography (Afterim. 1983, XI/1-2)
Rouch, J.: The Camera and Man (St.Anthr.of Vis.Comm. 1974, I/1)
Rouch, J.: On the Vicissitudes of the Self (St.Vis.Comm. 1971, V/1)
Sekula, A.: Dismantling Modernism (Mass.Rev. 1978, XIX/4)
Worth, S.: Toward an Anthropological Politics of Symbolic Form (1981)
Worth, S. / Adair, J.: Through Navaho Eyes (1972)
Trend, D.: Changing the Subject (Afterim. 1988, XVI/4)
Turner, T.: Visual Media, Cultural Politics and .. (Comm.onVis.Anhr.Rev. 1990,Spring)
Winston, B.: The Tradition of the Victim in Grierson (in: Image Ethics 1988)
Woodward, R.B.: Serving Up the Poor as Exotic .. (NY Times, 1989, 18 June)
Young, C.: Observational Cinema (in: Principles of Vis. Anthr. 1976)
| Copy number | R073157 |
| Institution name | |
| Shelf mark | Ned. fotomuseum |