Alles op zijn plaats. Het moderne interieur in de fotografie 1933-1968. (Modern interior in photography 1933-1968)
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Copy number Shelfmark Shelf mark R073036 Ned. Fotomuseum Ned. fotomuseum
TitleAlles op zijn plaats. Het moderne interieur in de fotografie
1933-1968. (Modern interior in photography 1933-1968)
Author
Edition[nummer] 10
[tijdschrift; titel] FOTO
[tijdschrift; pagina] 82-85
Iconographic keywords
Year of publication1990
Materialartikel
Document TypeArticle
SubjectCommerciële fotografie, Geschiedenis van het fotoboek: NL (Nederland), Geschiedenis van de fotografie: NL (Nederland), Nieuwe zakelijkheid
Geographical keywordNederland
Abstract
Introduction to the exhibition entitled 'Everything in its
place. The modern interior in photography 1933-1968', dealing
with three remarkable Dutch (commercial) photographers: Jaap
d'Oliveira and his colleague Hans Spies and Jan Versnel. Spies
and d'Oliveira received their training in Germany with Hugo
Schmölz. Influenced by the Neue Sachlichkeit, they specialised
in modern architecural photography and interiors and were mainly
employed by designers. After the war, Jan Versnel was prominent
in Dutch architectural photography.
place. The modern interior in photography 1933-1968', dealing
with three remarkable Dutch (commercial) photographers: Jaap
d'Oliveira and his colleague Hans Spies and Jan Versnel. Spies
and d'Oliveira received their training in Germany with Hugo
Schmölz. Influenced by the Neue Sachlichkeit, they specialised
in modern architecural photography and interiors and were mainly
employed by designers. After the war, Jan Versnel was prominent
in Dutch architectural photography.
| Copy number | R073036 |
| Institution name | |
| Shelf mark | Ned. fotomuseum |