Het verdriet van Lorelei (Lorelei's Sorrows)

Article on selfportraiture by women, often blurred, often full
of movement. The author poses the question as to whether this
making volatile of the body is that groundbreaking. Do women
escape social reality in this manner by trying to escape the
gaze full of desire, or are these portraits only ""the emperor's
new clothes''?


Citaten:
Butler, S.: So How Do I Look? (Phot.Comm. 1987, Fall)
Eiblmayr, S.: Gewalt am Bild, Gewalt im Bild (in Blick-Wechsel, 1989)
Billeter, E. (ed.): Selfportrait in the Age of Photography (1985)
Schade, S.: Der Mythos des Ganzen Körpers (1986)
Rijsingen, M. van: Projektie/refelektie (1989, exh. cat.)
Braidotti, R.: Beelden van leegte (Ts.v.Vrouwenstud. 11,1990,41)
Lenk, E.: The Slef-reflecting Woman (in: Feminst Aesthetics, 1985)
Lippard, L. R.: The Pains and the Pleasures of Rebirth (in: From the Centre, 1976)
Rijsingen, M. van: Enscenering van de afwezigheid (Ts.v.Vrouwenstud. 8,1987,30)
Baudrillard, J.: De fatale strategieën (tr. 1985, orig. 1983)
Baudrillard, J.: Les Stratégies fatales (1983)
Flusser, V.: Lizzie Calligas (Eur. Phot. 10, 1989, oct/dec)