Modernism, The Avant-Garde, and Photography
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Copy number Shelfmark Shelf mark R072940 Ned. Fotomuseum Ned. fotomuseum
TitleModernism, The Avant-Garde, and Photography
Author
Corporate author
Edition[nummer] 74
[jaargang] VIII
[tijdschrift; titel] PHOTO METRO
[tijdschrift; maand] Nov.
[tijdschrift; pagina] 6-16
Photographer
Year of publication1989
Materialartikel
Document TypeArticle
SubjectAbstracte fotografie, Architectuur en fotografie, Kunst en fotografie, Bauhaus, Film en fotografie, Constructivisme, Kubisme, Devetsil, kunstenaarsgroep, CS (1920-1940), Experimentele fotografie, Fotolinie, kunstenaarsgroep, CS, 1930-1940, Functionalisme, Geschiedenis van de fotografie: CS (Tsjecho-Slowakije), Levá fronta (Left Front), kunstenaarsgroep, CS (1930-1940), Modernisme, Meervoudige belichtingen, Nieuwe zakelijkheid, Photo Group 5, f5, CS (1930-1940), Fototypografie, Fotogram, Fotografische collage, Fotomontage, Surrealisme en fotografie, typografie
Abstract
Author's introduction: ""Although Modernism had a decisive
impact on 20th century photography, few comprehensive historical
studies have been made of this interdependent relationship. The
purpose of this essay is both to introduce Czech avant-garde
photography and to contribute to a better understanding of the
connection between the Modernist aesthetic and photography.''
The article is very informative, and discusses the evolution
from Symbolism (Drtikol) to Functionalism, Straight Photography,
photojournalism, experimental photography, and the final
influence of Surrealism on Czech photography.
impact on 20th century photography, few comprehensive historical
studies have been made of this interdependent relationship. The
purpose of this essay is both to introduce Czech avant-garde
photography and to contribute to a better understanding of the
connection between the Modernist aesthetic and photography.''
The article is very informative, and discusses the evolution
from Symbolism (Drtikol) to Functionalism, Straight Photography,
photojournalism, experimental photography, and the final
influence of Surrealism on Czech photography.
| Copy number | R072940 |
| Institution name | |
| Shelf mark | Ned. fotomuseum |