Photographie comme un des Beaux-Arts
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Copy number Shelfmark Shelf mark R072697 Ned. Fotomuseum Ned. fotomuseum
TitlePhotographie comme un des Beaux-Arts
Author
Edition[nummer] 55
[tijdschrift; titel] CLICHéS
[tijdschrift; pagina] 51
Photographer
Year of publication1989
Materialartikel
Document TypeArticle
Abstract
Excerpts from Sayag's Introduction to Photo Poche no. 38,
entitled 'comme un des Beaux-Arts', which deals with the history
of photography as an artistic practice, invented by 'mediocre
painters'. Sayag discusses the tenets of the pictorialist
movement ('reality as a vulgarity'), and traces the emergence
after WW I of photojournalism ('back to the natural objectivity
of photography'). Among the contemporary photographers briefly
discussed are Warhol, Rauschenberg, Samaras, Cindy Sherman,
Arnulf Rainer, Gilbert and George, Duane Michals, Les Krims,
Joel-Peter Witkin, Boltanski, Alain Fleischer, Georges Rousse,
Boyd Webb and the Starn Twins. (French)
Citaten:
Sayag, A.: Photographie comme Beaux-Arts (1989)
Baudelaire, C.: Salon de 1859 (1859)
Nadar, F. ..(1859)
Demachy, R.: Mechanism and Pict. Phot. (1907)
entitled 'comme un des Beaux-Arts', which deals with the history
of photography as an artistic practice, invented by 'mediocre
painters'. Sayag discusses the tenets of the pictorialist
movement ('reality as a vulgarity'), and traces the emergence
after WW I of photojournalism ('back to the natural objectivity
of photography'). Among the contemporary photographers briefly
discussed are Warhol, Rauschenberg, Samaras, Cindy Sherman,
Arnulf Rainer, Gilbert and George, Duane Michals, Les Krims,
Joel-Peter Witkin, Boltanski, Alain Fleischer, Georges Rousse,
Boyd Webb and the Starn Twins. (French)
Citaten:
Sayag, A.: Photographie comme Beaux-Arts (1989)
Baudelaire, C.: Salon de 1859 (1859)
Nadar, F. ..(1859)
Demachy, R.: Mechanism and Pict. Phot. (1907)
| Copy number | R072697 |
| Institution name | |
| Shelf mark | Ned. fotomuseum |