'Nicht beziehungslose Kunst, sondern politische Waffe'. Fotoaustellungen als Mittel der Ästhetisierung von Politik und Ökonomie im Nationalsozialismus (Photo exhibitions as a means to aestheticize National Socialist politics and economics)
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Copy number Shelfmark Shelf mark R072411 Ned. Fotomuseum Ned. fotomuseum
Title'Nicht beziehungslose Kunst, sondern politische Waffe'.
Fotoaustellungen als Mittel der Ästhetisierung von Politik und
Ökonomie im Nationalsozialismus (Photo exhibitions as a means to
aestheticize National Socialist politics and economics)
Author
Edition[nummer] 28
[tijdschrift; titel] FOTOGESCHICHTE
[tijdschrift; pagina] 17-31
Year of publication1988
Materialartikel
Document TypeArticle
SubjectTentoonstellingen als propaganda, Fascisme en fotografie, Geschiedenis van de fotografie: D (Duitsland), Propaganda met foto's, Tentoonstellingen en fotografie
Abstract
An analysis of photography exhibitions as a means of advertising
the photographic industry, from the beginnings in 1851 (World
Industrial Exhibition) until now. Such exhibitions as the 1929
FiFo in Stuttgart are seen as exemplary for the Photography and
Industry Exhibitions organised under National Socialism. The
author stresses 2 important exhibitions: ""Die Kamera'', Berlin,
1933, and ""Gebt mir vier Jahre Zeit'', Berlin, 1937. Other
topics dealt with are the espousal by both industry and National
Socialists of photography as a national folk art and the use of
large format photography as a means to overwhelm. The author
concludes that these exhibitions were a perfect theatre of
constructed realities, where viewers were rigidly directed by
means of very large photographs which served to monumentalise
politics. (German)
Citaten:
Kemp, W.: Foto-Essays (1978)
Hansen, F.: Zur Geschichte der photographischen Austellungen (in: Photographische Korrespondenz, v.58, 1921, p.176)
Kühn, W.: Die photographische Industrie Deutschlands (1928)
Peterich, G.: Photography at the Great Exhibition 1851 (in: Image, VII/3, 1958, p. 53)
Küppers, S.: El Lissitzky (1980)
Buchloh, B.H.D.: Between Photomontage and Propaganda: The Pressa (in: October 30, 1984, p. 104-119)
Eskildsen, U. / Horak, J.-C.: Film und Foto der Zwanziger Jahre (1979)
Sachsse, R.: Propaganda für Industrie und Weltanschauung (in: Inszenierung der Macht, 1987)
Sachsse, R.: Ästhetischer Wiederaufbau (in: DGPh intern 1984/2, p. 17-23)
Honnef, K.: Zwischen Reportage und Kunst-fotografie (1985)
Cohen, A.: Herbert Bayer (1984)
Philipp, C.G.: Erna Lendvai-Dircksen (in: Fotogeschichte, III/7, 1983, p.39-56)
Merker, R.: Die bildenden Künste im Nationalsozialismus (1983)
Bouqueret, C.: Photographes et images à l'expo (1987)
Vondung, K.: Magie und Manipulation (1971)
Bartetzko, D.: Illusionen in Stein (1985)
Diederich, R. / Grübling, R.: Sozialismus als Reklame. Zur faschistischen Fotomontage (1979)
the photographic industry, from the beginnings in 1851 (World
Industrial Exhibition) until now. Such exhibitions as the 1929
FiFo in Stuttgart are seen as exemplary for the Photography and
Industry Exhibitions organised under National Socialism. The
author stresses 2 important exhibitions: ""Die Kamera'', Berlin,
1933, and ""Gebt mir vier Jahre Zeit'', Berlin, 1937. Other
topics dealt with are the espousal by both industry and National
Socialists of photography as a national folk art and the use of
large format photography as a means to overwhelm. The author
concludes that these exhibitions were a perfect theatre of
constructed realities, where viewers were rigidly directed by
means of very large photographs which served to monumentalise
politics. (German)
Citaten:
Kemp, W.: Foto-Essays (1978)
Hansen, F.: Zur Geschichte der photographischen Austellungen (in: Photographische Korrespondenz, v.58, 1921, p.176)
Kühn, W.: Die photographische Industrie Deutschlands (1928)
Peterich, G.: Photography at the Great Exhibition 1851 (in: Image, VII/3, 1958, p. 53)
Küppers, S.: El Lissitzky (1980)
Buchloh, B.H.D.: Between Photomontage and Propaganda: The Pressa (in: October 30, 1984, p. 104-119)
Eskildsen, U. / Horak, J.-C.: Film und Foto der Zwanziger Jahre (1979)
Sachsse, R.: Propaganda für Industrie und Weltanschauung (in: Inszenierung der Macht, 1987)
Sachsse, R.: Ästhetischer Wiederaufbau (in: DGPh intern 1984/2, p. 17-23)
Honnef, K.: Zwischen Reportage und Kunst-fotografie (1985)
Cohen, A.: Herbert Bayer (1984)
Philipp, C.G.: Erna Lendvai-Dircksen (in: Fotogeschichte, III/7, 1983, p.39-56)
Merker, R.: Die bildenden Künste im Nationalsozialismus (1983)
Bouqueret, C.: Photographes et images à l'expo (1987)
Vondung, K.: Magie und Manipulation (1971)
Bartetzko, D.: Illusionen in Stein (1985)
Diederich, R. / Grübling, R.: Sozialismus als Reklame. Zur faschistischen Fotomontage (1979)
| Copy number | R072411 |
| Institution name | |
| Shelf mark | Ned. fotomuseum |