Ben Shahn's New York : the photography of modern times
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Copy number Shelfmark Shelf mark R013827 Ned. Fotomuseum USA MON SHAHN.B 2000
TitleBen Shahn's New York : the photography of modern times
Corporate author
Photographer
Year of publication2000
Paginationviii, 340 p.
Illustrationsb&w
Dimensions27 x 24 cm.
MaterialMonografie
Document TypeBook
ISBN03000831570300083254
Bibliographic NotesIncludes bibliographical references (p. 321-323) and index.
Geographical keywordNew York, New York City
Abstract
Catalog of an exhibition held at Harvard University Art Museums, Cambridge, Mass., Feb. 5-Apr. 30, 2000; the Phillips Collection, Washington, D.C., June 10-Aug. 27, 2000; the Grey Art Gallery, New York University, N.Y., Oct. 14, 2000-Jan. 27, 2001; the David and Alfred Smart Museum, University of Chicago, Apr. 19-June 17, 2001.
We cite fromt he cover : / -
"Ben Shahn, renowned painter, muralist, and graphic artist, was also a talented photographer who made documentary street photographs in New York City in the early 1930s. This book is the first to focus on his compelling New York images, showing how he used a camera to comment on many social issues of his day.
As a political activist Shahn became interested in newspaper photography as source material for some of his paintings and satires. Soon he was engaged in street photography himself, documenting the working-class and immigrant populations and providing a poignant record of unemployment and poverty during the Depression years. The book considers the immediate social history of Shahn's New York photographs and analyzes how his leftist politics and his interest in news photographs and film affected his photographic aesthetic. The authors assert the importance of analyzing Shahn's paintings and photographs together, explaining why the connections between the two have been ignored until now. The book reproduces not only Shahn's New York photographs but also his related paintings, prints, and drawings, and an appendix presents documents that speak to the pervasive impact of his photographic work."
We cite fromt he cover : / -
"Ben Shahn, renowned painter, muralist, and graphic artist, was also a talented photographer who made documentary street photographs in New York City in the early 1930s. This book is the first to focus on his compelling New York images, showing how he used a camera to comment on many social issues of his day.
As a political activist Shahn became interested in newspaper photography as source material for some of his paintings and satires. Soon he was engaged in street photography himself, documenting the working-class and immigrant populations and providing a poignant record of unemployment and poverty during the Depression years. The book considers the immediate social history of Shahn's New York photographs and analyzes how his leftist politics and his interest in news photographs and film affected his photographic aesthetic. The authors assert the importance of analyzing Shahn's paintings and photographs together, explaining why the connections between the two have been ignored until now. The book reproduces not only Shahn's New York photographs but also his related paintings, prints, and drawings, and an appendix presents documents that speak to the pervasive impact of his photographic work."
| Copy number | R013827 |
| Institution name | |
| Shelf mark | USA MON SHAHN.B 2000 |