The new woman international : Representations in photography and film from the 1870s through the 1960s
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Copy number Shelfmark Shelf mark R022080 Ned. Fotomuseum $VR OTTO.E 2011
TitleThe new woman international : Representations in photography and film from the 1870s through the 1960s
Author
Place of publicationAnn Arbor
PublisherUniversity of Michigan Press
Year of publication2011
Pagination[360 ] p.
Illustrationsb&w
Dimensions24 x 15 cm.
MaterialTekstboek
Document TypeBook
ISBN9780472071043
External document
http://fotomuseum.adlibhosting.com/texts/022080_Otto_en_Rocco_2011_The_New_Woman_International.pdf
Bibliographic NotesIncludes bibliographical references and index.
SubjectFeminisme en fotografie, Geschiedenis en fotografie, Representatie en fotografie, Vrouwlijke fotografen
Abstract
We cite from the COVER:
"Images of flappers, garçonnes, Modern Girls, neue Frauen, and trampky—all embodiments of the dashing New Woman — symbolized an expanded public role for women from the suffragist era through the dawn of 1960s feminism. Chronicling nearly a century of global challenges to gender norms, The New Woman International: Representations in Photography and Film from the 1870s through the 1960s is the first book to examine modern femininity's ongoing relationship with the nineteenth and twentieth centuries' most influential new media: photography and film. These original essays examine the ways in which novel ideas about women's roles in society and politics were disseminated through these technological media and probe the significance of radical changes in female fashion, appearance, and sexual identity."
"The New Woman International brings together different generations of scholars and curators who are experts in gender, photography, literature, mass media, and film to analyze the New Woman from her inception in the later nineteenth century through her full development in the interwar period, and the expansion of her forms in subsequent decades."
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For facsimile view of Table of Contents please click URL
"Images of flappers, garçonnes, Modern Girls, neue Frauen, and trampky—all embodiments of the dashing New Woman — symbolized an expanded public role for women from the suffragist era through the dawn of 1960s feminism. Chronicling nearly a century of global challenges to gender norms, The New Woman International: Representations in Photography and Film from the 1870s through the 1960s is the first book to examine modern femininity's ongoing relationship with the nineteenth and twentieth centuries' most influential new media: photography and film. These original essays examine the ways in which novel ideas about women's roles in society and politics were disseminated through these technological media and probe the significance of radical changes in female fashion, appearance, and sexual identity."
"The New Woman International brings together different generations of scholars and curators who are experts in gender, photography, literature, mass media, and film to analyze the New Woman from her inception in the later nineteenth century through her full development in the interwar period, and the expansion of her forms in subsequent decades."
*
For facsimile view of Table of Contents please click URL
| Copy number | R022080 |
| Institution name | |
| Shelf mark | $VR OTTO.E 2011 |