Photography and spirit
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Copy number Shelfmark Shelf mark R021312 Ned. Fotomuseum $T HARVEY.J 2007
TitlePhotography and spirit
Author
Place of publicationLondon
PublisherReaktion Books
Year of publication2007
Pagination176 p.
IllustrationsZwart-Wit en kleur
Dimensions22 x 19 cm.
MaterialTekstboek
Document TypeBook
Series titleExposures
ISBN1861893248
External document
http://fotomuseum.adlibhosting.com/texts/021312_John_Harvey_2007_Photography_and_Spirit.pdf
Bibliographic Notespb;
SubjectAuthenticiteit, Gemanipuleerde foto's, Fotografie en psychologie, Spiritische fotografie, Geesten fotografie
Abstract
We cite from the COVER:
"Can film capture what our eyes can't see? Since mid-Victorian times there have been numerous claims made for photographs that apparently show spirits or ghosts. But in reality, are they hoaxes or irrefutable proof of an ethereal world beyond our own?
"In Photography and Spirit John Harvey examines these mesmerizing images of phantoms, psychical emanations and religious apparitions. Drawing on 80 examples taken between the 1860s and today, he explores images of spirits from the various perspectives of religion, science and art. Some of the images were taken by scientists, others by commercial or amateur photographers, and still others by robotic surveillance devices. The diverse origins of these photographs have inspired a multiplicity of conflicting interpretations. Harvey's analysis tests the . connections between the images, the human imagination and larger cultural traditions. He shows that images which are often considered to be no more than fringe objects or an embarrassing and best-forgotten anomaly of photographic practice are revelatory artefacts of histtfry, and he draws from them thought-provoking insights into the connections between the material and spiritual worlds, representations of grief, and our enduring fascination with the supernatural."
"Photographic images of ethereal spirits render the border between what is real and what is fantastical indistinguishable. Photography and Spirit challenges our preconceived notions and offers an intriguing new perspective on the nature of photography."
*
For facsimile view of Table of Contents please click URL
"Can film capture what our eyes can't see? Since mid-Victorian times there have been numerous claims made for photographs that apparently show spirits or ghosts. But in reality, are they hoaxes or irrefutable proof of an ethereal world beyond our own?
"In Photography and Spirit John Harvey examines these mesmerizing images of phantoms, psychical emanations and religious apparitions. Drawing on 80 examples taken between the 1860s and today, he explores images of spirits from the various perspectives of religion, science and art. Some of the images were taken by scientists, others by commercial or amateur photographers, and still others by robotic surveillance devices. The diverse origins of these photographs have inspired a multiplicity of conflicting interpretations. Harvey's analysis tests the . connections between the images, the human imagination and larger cultural traditions. He shows that images which are often considered to be no more than fringe objects or an embarrassing and best-forgotten anomaly of photographic practice are revelatory artefacts of histtfry, and he draws from them thought-provoking insights into the connections between the material and spiritual worlds, representations of grief, and our enduring fascination with the supernatural."
"Photographic images of ethereal spirits render the border between what is real and what is fantastical indistinguishable. Photography and Spirit challenges our preconceived notions and offers an intriguing new perspective on the nature of photography."
*
For facsimile view of Table of Contents please click URL
| Copy number | R021312 |
| Institution name | |
| Shelf mark | $T HARVEY.J 2007 |