Design and crime : and other diatribes
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Copy number Shelfmark Shelf mark R020814 Ned. Fotomuseum $T FOSTER.H 2003
TitleDesign and crime : and other diatribes
Author
Edition[editie] Paperback ed., 1 publ.
Photographer
Place of publicationLondon
PublisherVerso
Year of publication2003
PaginationXV, 176 p.
Illustrationsb&w
Dimensions20 x 13 cm.
MaterialTekstboek
Document TypeBook
Series titleRadical thinkers
ISBN9781844676705
External document
http://fotomuseum.adlibhosting.com/texts/020814_Hal_Foster_2003_Design_and_Crime.pdf
Bibliographic NotesIncludes bibliographical references and index.
Abstract
We cite from the COVER:
"Over the years, Hal Foster's criticism has inspired a politically charged postmodernism of resistance. This book throws the targets of this resistance into sharp relief. Foster argues that design - inflated by capitalist forces to influence everything from magazines to medicine — fuels a society of insatiable consumerism, at once constraining and deterritorializing, narcissistic and hollow. With polemical precision, his essays engage leading architects Frank Gehry and Rem Koolhaas on the rise of spectacle-architecture and the global city and, in the second half of the book, excavate the contested sites of art history, the museum, art criticism, and the ostensible end of art. The result signals a possible new path for twenty-first-century art."
*
For facsimile view of Table of Contents please click URL
"Over the years, Hal Foster's criticism has inspired a politically charged postmodernism of resistance. This book throws the targets of this resistance into sharp relief. Foster argues that design - inflated by capitalist forces to influence everything from magazines to medicine — fuels a society of insatiable consumerism, at once constraining and deterritorializing, narcissistic and hollow. With polemical precision, his essays engage leading architects Frank Gehry and Rem Koolhaas on the rise of spectacle-architecture and the global city and, in the second half of the book, excavate the contested sites of art history, the museum, art criticism, and the ostensible end of art. The result signals a possible new path for twenty-first-century art."
*
For facsimile view of Table of Contents please click URL
| Copy number | R020814 |
| Institution name | |
| Shelf mark | $T FOSTER.H 2003 |