Copy, archive, signature : a conversation on photography
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Copy number Shelfmark Shelf mark R017341 Ned. Fotomuseum $T DERRIDA.J 2010
TitleCopy, archive, signature : a conversation on photography
Place of publicationStanford (CA)
PublisherStanford University Press
Year of publication2010
Pagination67 p.
Dimensions18 x 12 cm.
MaterialTekstboek
Document TypeBook
ISBN97808047609669780804760973
Bibliographic NotesIncludes bibliographical references.
Abstract
Translation of an interview that Derrida granted to Hubertus von Amelunxen and Michael Wetzel.
"Originally published in German in 2000 under the title 'Die Photographie als Kopie, Archiv und Signatur' in Theorie der Fotografie IV, 1980-1995."
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We cite from the COVER:
"This book makes available for the first time the entirety of an important interview about photography that Jacques Derrida granted in 1992. Addressing presence and its manufacture, the technicity of presentation, the volatility of the subject, and the concept of memory, Derrida offers a penetrating intervention into the distinctive nature of photography vis-à-vis related technologies such as cinema, television, and video. Questioning the divides between old and new media, original and reproduction, and analog and digital recording, he provides stimulating insights into how we think about the photographic image. Gerhard Richters introduction meditates on the relationship between deconstruction and photography by way of the concepts of translation and invention."
"Originally published in German in 2000 under the title 'Die Photographie als Kopie, Archiv und Signatur' in Theorie der Fotografie IV, 1980-1995."
*
We cite from the COVER:
"This book makes available for the first time the entirety of an important interview about photography that Jacques Derrida granted in 1992. Addressing presence and its manufacture, the technicity of presentation, the volatility of the subject, and the concept of memory, Derrida offers a penetrating intervention into the distinctive nature of photography vis-à-vis related technologies such as cinema, television, and video. Questioning the divides between old and new media, original and reproduction, and analog and digital recording, he provides stimulating insights into how we think about the photographic image. Gerhard Richters introduction meditates on the relationship between deconstruction and photography by way of the concepts of translation and invention."
| Copy number | R017341 |
| Institution name | |
| Shelf mark | $T DERRIDA.J 2010 |