A staggering revolution : a cultural history of thirties photography
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Copy number Shelfmark Shelf mark R015630 Ned. Fotomuseum $T RAEBURN.J 2008
TitleA staggering revolution : a cultural history of thirties photography
Author
Photographer
Place of publicationChicago
PublisherUniv. of Illinois Press
Year of publication2006
PaginationXX, 370 p., [13] p.
Illustrationsb&w
Dimensions27 x 18 cm.
MaterialTekstboek
Document TypeBook
ISBN025207322397802520732290252030842
Bibliographic NotesIncludes bibliographical references and index.
SubjectFarm Security Administration, FSA, USA, Geschiedenis van de fotografie: USA, Photo League, USA (1936-1951), Fotografische infrastructuur: USA, Patronage van de fotografie: USA, f64 Group, USA, Fototijdschriften: USA, Geschiedenis van geïllustreerde tijdschriften: USA, Geschiedenis van de geïllustreerde pers: USA
Abstract
We cite from the COVER :
"During the 1930s, the world of photography was unsettled, exciting, and boisterous. John Raeburn's A Staggering Revolution re-creates the era's energy by surveying photography's extraordinary ferment, revealing the esthetic and cultural achievements of its leading figures and mapping the paths their pictures blazed into the public's imagination.
A Staggering Revolution includes chapters on Edward Steichen's celebrity portraiture; Berenice Abbott's Changing New York project; the Harlem Document group's ethnography of Harlem; and Edward Weston's western landscapes made under the auspices of the first Guggenheim Fellowship awarded to a photographer. It also examines Margaret Bourke-White's industrial and documentary pictures, California's Group f.64, the fashion magazine specialists, and the activities of the Farm Security Administration and Photo League."
CONTENTS :
1. The rebirth of photography in the thirties --
2. Disestablishing Stieglitz --
3. Group f.64 and the problem of California photography --
4. An eastern beachhead --
5. Edward Steichen and celebrity photography --
6. MoMA's big top show --
7. Camera periodicals and the popular audience --
8. Culture morphology in Berenice Abbott's New York --
9. Farm Security Administration photography and the dilemmas of art --
10. Farm Security Administration photography in the aura of art --
11. The nation's newsstands --
12. The photo league, Lewis Hine, and the Harlem document --
13. Seeing California with Edward Weston --
14. Photography at high tide
15. Afterword: "The Cultural Establishment of Photography"--
16. Notes / Index.
*
For facsimile view of Table of Contents please click URL.
*
A review is available at: http://www.h-net.org/review/hrev-a0f1f4-aa
"During the 1930s, the world of photography was unsettled, exciting, and boisterous. John Raeburn's A Staggering Revolution re-creates the era's energy by surveying photography's extraordinary ferment, revealing the esthetic and cultural achievements of its leading figures and mapping the paths their pictures blazed into the public's imagination.
A Staggering Revolution includes chapters on Edward Steichen's celebrity portraiture; Berenice Abbott's Changing New York project; the Harlem Document group's ethnography of Harlem; and Edward Weston's western landscapes made under the auspices of the first Guggenheim Fellowship awarded to a photographer. It also examines Margaret Bourke-White's industrial and documentary pictures, California's Group f.64, the fashion magazine specialists, and the activities of the Farm Security Administration and Photo League."
CONTENTS :
1. The rebirth of photography in the thirties --
2. Disestablishing Stieglitz --
3. Group f.64 and the problem of California photography --
4. An eastern beachhead --
5. Edward Steichen and celebrity photography --
6. MoMA's big top show --
7. Camera periodicals and the popular audience --
8. Culture morphology in Berenice Abbott's New York --
9. Farm Security Administration photography and the dilemmas of art --
10. Farm Security Administration photography in the aura of art --
11. The nation's newsstands --
12. The photo league, Lewis Hine, and the Harlem document --
13. Seeing California with Edward Weston --
14. Photography at high tide
15. Afterword: "The Cultural Establishment of Photography"--
16. Notes / Index.
*
For facsimile view of Table of Contents please click URL.
*
A review is available at: http://www.h-net.org/review/hrev-a0f1f4-aa
| Copy number | R015630 |
| Institution name | |
| Shelf mark | $T RAEBURN.J 2008 |