Time and photography
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Copy number Shelfmark Shelf mark R016450 Ned. Fotomuseum $T BAETENS.J 2010
TitleTime and photography
Place of publicationLeuven
Year of publication2010
Pagination200 p.
Dimensions23 x 17 cm.
MaterialTekstboek
Document TypeBook
Series titleLieven Gevaert series
ISBN97890586779389058677931
External document
http://fotomuseum.adlibhosting.com/texts/016450_Baetens_a_o_2010_Time_and_Photography.pdf
Bibliographic Notespb
Abstract
We cite from the COVER:
"Despite our stereotypical ideas on photographic images as a snapshots (slices of time), photography is fundamentally a time-based medium. The relationships between photography and time are manifold: time can be directly represented within the image, it can be its theme and philosophical horizon, but it can also represent the global framework in which photographic practices develop and change through time. It is the ambition of this book to bring together the various aspect of time in photography as well as of photography in time, and to illustrate them in a series of case studies that focus on seminal authors (e.g. Fox Talbot, Victor Burgin, Robert Morris) and genres (e.g. spirit photography, montage photobooks and tableau photography), with examples ranging from the very first photographic pictures to the most recent cross-medial uses of photography in and outside art."
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For facsimile view of Table of Contents please click URL.
"Despite our stereotypical ideas on photographic images as a snapshots (slices of time), photography is fundamentally a time-based medium. The relationships between photography and time are manifold: time can be directly represented within the image, it can be its theme and philosophical horizon, but it can also represent the global framework in which photographic practices develop and change through time. It is the ambition of this book to bring together the various aspect of time in photography as well as of photography in time, and to illustrate them in a series of case studies that focus on seminal authors (e.g. Fox Talbot, Victor Burgin, Robert Morris) and genres (e.g. spirit photography, montage photobooks and tableau photography), with examples ranging from the very first photographic pictures to the most recent cross-medial uses of photography in and outside art."
*
For facsimile view of Table of Contents please click URL.
| Copy number | R016450 |
| Institution name | |
| Shelf mark | $T BAETENS.J 2010 |