Still moving : between cinema and photography
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Copy number Shelfmark Shelf mark R015705 Ned. Fotomuseum $T BECKMAN.K 2008
TitleStill moving : between cinema and photography
Author
Place of publicationDurham
PublisherDuke University Press
Year of publication2008
Paginationvi, 312 p.
Illustrationsb&w
Dimensions23 x 16 cm.
MaterialTekstboek
Document TypeBook
ISBN97808223914320822391430
Bibliographic NotesIncludes bibliographical references and index
SubjectFilm en fotografie
Abstract
We cite from the cover:
""Still Moving engages new debate in a field central and crucial to cinema, media, and cultural studies. The collection explores the nature of photography and cinema both before and after the advent of digital media. As a result, some stunning work—on acceleration and simulation, on filming and editing in photographic and electronic media, on the fortunes of memory and oblivion, and on the dialogue and conflict of technologies—emerges from the tension of still and moving images."—TOM CON LEY, author of Cartographic Cinema"
CONTENTS:
PART I. BEYOND REFERENTIALITY.
1 What's the Point of an Index? or, Faking Photographs / Tom Gunning.
2. "The Forgotten Image between Two Shots" : Photos, Photograms, and the Essayistic / Timothy Corrigan.
3 Structural Film: Noise / Juan A. Suárez --
PART II. NATION , MEMORY, HISTORY.
4 An Essay on Calendar / Atom Egoyan.
5 Photography's Absent Times / Jean Ma.
6 The Idea of Still / Rebecca Baron, interviewed by Janet Sarbanes.
7 Crash Aesthetics: Amores Perros and the Dream of Cinematic Mobility / Karen Beckman.
8 Surplus Memories: From the Slide Show to the Digital Bulletin Board in Jim Mendiola's Speeder Kills / Rita Gonzalez --
PART III. WORKING BETWEEN MEDIA.
9 Photography's Expanded Field / George Baker.
10 Weekend Campus / Nancy Davenport.
11 Aleph Beat: Wallace Berman between Photography and Film / Louis Kaplan.
12 Mental Images: The Dramatization of Psychological Disturbance / Zoe Beloff.
13 Concerning "the Photographic" / Raymond Bellour
""Still Moving engages new debate in a field central and crucial to cinema, media, and cultural studies. The collection explores the nature of photography and cinema both before and after the advent of digital media. As a result, some stunning work—on acceleration and simulation, on filming and editing in photographic and electronic media, on the fortunes of memory and oblivion, and on the dialogue and conflict of technologies—emerges from the tension of still and moving images."—TOM CON LEY, author of Cartographic Cinema"
CONTENTS:
PART I. BEYOND REFERENTIALITY.
1 What's the Point of an Index? or, Faking Photographs / Tom Gunning.
2. "The Forgotten Image between Two Shots" : Photos, Photograms, and the Essayistic / Timothy Corrigan.
3 Structural Film: Noise / Juan A. Suárez --
PART II. NATION , MEMORY, HISTORY.
4 An Essay on Calendar / Atom Egoyan.
5 Photography's Absent Times / Jean Ma.
6 The Idea of Still / Rebecca Baron, interviewed by Janet Sarbanes.
7 Crash Aesthetics: Amores Perros and the Dream of Cinematic Mobility / Karen Beckman.
8 Surplus Memories: From the Slide Show to the Digital Bulletin Board in Jim Mendiola's Speeder Kills / Rita Gonzalez --
PART III. WORKING BETWEEN MEDIA.
9 Photography's Expanded Field / George Baker.
10 Weekend Campus / Nancy Davenport.
11 Aleph Beat: Wallace Berman between Photography and Film / Louis Kaplan.
12 Mental Images: The Dramatization of Psychological Disturbance / Zoe Beloff.
13 Concerning "the Photographic" / Raymond Bellour
| Copy number | R015705 |
| Institution name | |
| Shelf mark | $T BECKMAN.K 2008 |