Fields of vision : essays in film studies, visual anthropology, and photography

Bevat papers van twee conferenties: "Coming to terms with the photographic image", en "Film and representations of culture", gehouden in 1989.
Contents: /
1. Leslie Devereaux: An Introductory Essay /
THEMES : /
2. Paul Willemen: The National /
3. George E. Marcus: The Modernist Sensibility in Recent Ethnographic Writing and the Cinematic Metaphor of Montage /
4. Leslie Devereaux: Experience, Re-presentation, and Film /
CASE STUDIES : PHOTOGRAPHY /
5. Anne-Marie Willis: Photography and Film: Figures in/of History /
6. Bernd Hüppauf: Modernism and the Photographic Representation of War and Destruction /
CASE STUDIES : FILM /
7. Barbara Creed: Horror and the Carnivalesque: The Body-monstrous /
8. Gaylyn Studlar: Barrymore, the Body, and Bliss: Issues of Male Representation and Female Spectatorship in the 1920s /
9. Roger Hillman: Narrative, Sound, and Film: Fassbinder's The Marriage of Maria Braun /
10. Gino Moliterno: Novel into Film: The Name of the Rose /
THE SUBJECT(IVE) VOICE /
11. David MacDougall: The Subjective Voice in Ethnographic Film /
12. Faye Ginsburg: Mediating Culture: Indigenous Media, Ethnographic Film, and the Production of Identity /
13. Susan Dermody: The Pressure of the Unconscious upon the Image: The Subjective Voice in Documentary /
14. Peter Loizos: Robert Gardner's Rivers of Sand: Toward a Reappraisal /
A LAST WORD /
15. Leslie Devereaux: Cultures, Disciplines, Cinemas /
INDEX.