The cinematic
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Copy number Shelfmark Shelf mark R013971 Ned. Fotomuseum $T CAMPANY.D 2007
TitleThe cinematic
Author
Place of publicationLondon, Cambridge, Mass.
PublisherWhitechapel MIT Press
Year of publication2007
Pagination221
Dimensions21 x 15 cm.
MaterialTekstboek
Document TypeBook
Series titleDocuments of Contemporary Art
ISBN9780262532884
Bibliographic Notespb; Includes bibliographical references (p. 214-217) and index;
SubjectBloemlezing, Film en fotografie, Film en kunst
Abstract
CONTENTS:
MOTION PICTURES
Tom Gunning Never Seen This Picture Before: Muybridge in Multiplicity, 2003//020
Anton Giulio Bragaglia Futurist Photodynamism, 1913//025
Sergei Eisenstein Montage is Conflict, 1929//030
Michael Tarantino A Few Brief Moments of Cinematic Time, 1999//033
THE CAPTIVE MOMENT
Carlo Rim On the Snapshot, 1930//040
Henri Cartier-Bresson Images à la sauvette, 1952//043
Roland Barthes The Face of Garbo, 1957//048
Jonas Mekas Warhol Shoots Empire, 30 July, 1964//050
Thierry de Duve Time Exposure and Snapshot: The Photograph as Paradox, 1978//052
Agnès Varda On Photography and Cinema, 1984//062
Gilles Deleuze Beyond the Movement-Image, 1985//064
Nan Goldin The Ballad of Sexual Dependency, 1986//066
Jean Baudrillard Cool Memories, 1996//067
Susanne Gaensheimer Moments in Time, 1999//068
SERIALITY
Siegfried Kracauer Photography, 1927//082
Laszló Moholy-Nagy Image Sequences/Series, 1946//083
Pier Paolo Pasolini Observations on the Long Take, 1967//084
Wim Wenders Time Sequences, Continuity of Movement, 1971//088
Blake Stimson The Pivot of the World: Photography and Its Nation, 2006//091
PHOTOGRAPHY AT THE CINEMA
Beaumont Newhall Moving Pictures, 1937//104
Steve Reich Wavelength by Michael Snow, 1968//106
Peter Wollen Fire and Ice, 1984//108
Constance Penley The Imaginary of the Photograph in Film Theory, 1984//114
Raymond Bellour The Pensive Spectator, 1984//119
Christian Metz Photography and Fetish, 1985//124
Laura Mulvey Stillness in the Moving Image, 2003//134
FROM ONE IMAGE TO ANOTHER
Richard Prince Why I Go to the Movies Alone, 1983//142
Catherine David Photography and Cinema, 1989//144
Régis Durand Melancholic Mutations in Cindy Sherman's Film Stills, 1996//153
Jeff Wall and Mike Figgis An Email Exchange, 2005//158
Gregory Crewdson Interview with Anna Holtzman, 2006//168
MIXED MEDIA, MIXED MEMORY
Susan Sontag On Photography, 1977//174
Chris Marker La Jetée, 2003//175
Uriel Orlow The Dialectical Image: La Jetée and Photography-as-Cinema, 1999/2006//177
David Campany Safety in Numbness. Some Remarks on Problems of 'Late Photography', 2003//185
Chantal Akerman In Her Own Time: Interview with Miriam Rosen, 2004//195
Victor Burgin Possessive, Pensive and Possessed, 2006//198
Biographical Notes / Bibliography / Index.
MOTION PICTURES
Tom Gunning Never Seen This Picture Before: Muybridge in Multiplicity, 2003//020
Anton Giulio Bragaglia Futurist Photodynamism, 1913//025
Sergei Eisenstein Montage is Conflict, 1929//030
Michael Tarantino A Few Brief Moments of Cinematic Time, 1999//033
THE CAPTIVE MOMENT
Carlo Rim On the Snapshot, 1930//040
Henri Cartier-Bresson Images à la sauvette, 1952//043
Roland Barthes The Face of Garbo, 1957//048
Jonas Mekas Warhol Shoots Empire, 30 July, 1964//050
Thierry de Duve Time Exposure and Snapshot: The Photograph as Paradox, 1978//052
Agnès Varda On Photography and Cinema, 1984//062
Gilles Deleuze Beyond the Movement-Image, 1985//064
Nan Goldin The Ballad of Sexual Dependency, 1986//066
Jean Baudrillard Cool Memories, 1996//067
Susanne Gaensheimer Moments in Time, 1999//068
SERIALITY
Siegfried Kracauer Photography, 1927//082
Laszló Moholy-Nagy Image Sequences/Series, 1946//083
Pier Paolo Pasolini Observations on the Long Take, 1967//084
Wim Wenders Time Sequences, Continuity of Movement, 1971//088
Blake Stimson The Pivot of the World: Photography and Its Nation, 2006//091
PHOTOGRAPHY AT THE CINEMA
Beaumont Newhall Moving Pictures, 1937//104
Steve Reich Wavelength by Michael Snow, 1968//106
Peter Wollen Fire and Ice, 1984//108
Constance Penley The Imaginary of the Photograph in Film Theory, 1984//114
Raymond Bellour The Pensive Spectator, 1984//119
Christian Metz Photography and Fetish, 1985//124
Laura Mulvey Stillness in the Moving Image, 2003//134
FROM ONE IMAGE TO ANOTHER
Richard Prince Why I Go to the Movies Alone, 1983//142
Catherine David Photography and Cinema, 1989//144
Régis Durand Melancholic Mutations in Cindy Sherman's Film Stills, 1996//153
Jeff Wall and Mike Figgis An Email Exchange, 2005//158
Gregory Crewdson Interview with Anna Holtzman, 2006//168
MIXED MEDIA, MIXED MEMORY
Susan Sontag On Photography, 1977//174
Chris Marker La Jetée, 2003//175
Uriel Orlow The Dialectical Image: La Jetée and Photography-as-Cinema, 1999/2006//177
David Campany Safety in Numbness. Some Remarks on Problems of 'Late Photography', 2003//185
Chantal Akerman In Her Own Time: Interview with Miriam Rosen, 2004//195
Victor Burgin Possessive, Pensive and Possessed, 2006//198
Biographical Notes / Bibliography / Index.
| Copy number | R013971 |
| Institution name | |
| Shelf mark | $T CAMPANY.D 2007 |