Women's albums and photography in Victorian England : ladies, mothers and flirts
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Copy number Shelfmark Shelf mark R013506 Ned. Fotomuseum $HIST DI.BELLO.P 2007
TitleWomen's albums and photography in Victorian England : ladies, mothers and flirts
Author
Place of publicationBurlington, VT, Aldershot, England
PublisherAshgate
Year of publication2007
2007
Paginationviii, 183 p.
Illustrationsb&w
Dimensions24 x 17 cm.
MaterialTekstboek
Document TypeBook
ISBN97807546585590754658554
Bibliographic NotesIncludes bibliographical references (p. [161]-176) and index.
Abstract
"In her beautifully illustrated study, Patrizia Di Bello recaptures the rich history of women photographers and image collectors in nineteenth-century England. Situating the practice of collecting, exchanging and displaying photographs and other images in the context of feminine sociability, Di Bello shows that albums express Victorian women's experience of modernity. While attentive to the albums of individual women, Di Bello also examines the broader feminine culture of collecting and displaying images; uncovers the cross-references and fertilizations between women's albums and illustrated periodicals; and demonstrates the way albums and photography itself were represented in women's magazines, fashion plates, and popular novels. Bringing a sophisticated eye to overlooked images such as the family photograph, Di Bello not only illustrates their significance as historical documents but elucidates the visual rhetorics at play. In doing so, she identifies the connections between Victorian album-making and the work of modern-day amateurs and artists who use digital techniques to compile and decorate albums with Victorian-style borders and patterns."
"At a time when photographic album-making is being re-vitalised by digital technologies, this book rewrites the history of photographic albums, placing the female collector at its centre and offering an alternative history of photography focused on its uses rather than on its aesthetic or artistic considerations. Di Bello's book is remarkable in elegantly connecting the history of photography with the fields of material culture and women's studies."
Analysis of photograph albums mostly by Anna Waterlow and Mary Filmer of portraits from the 1850s-1870s.
Contents: The family album, the feminine and the personal -- Nineteenth-century album culture -- Photographs, albums, women's magazines -- Melancholic portrait gazers -- Photographs, fun and flirtations -- Photography, vision and touch -- Bibliography -- Index.
"At a time when photographic album-making is being re-vitalised by digital technologies, this book rewrites the history of photographic albums, placing the female collector at its centre and offering an alternative history of photography focused on its uses rather than on its aesthetic or artistic considerations. Di Bello's book is remarkable in elegantly connecting the history of photography with the fields of material culture and women's studies."
Analysis of photograph albums mostly by Anna Waterlow and Mary Filmer of portraits from the 1850s-1870s.
Contents: The family album, the feminine and the personal -- Nineteenth-century album culture -- Photographs, albums, women's magazines -- Melancholic portrait gazers -- Photographs, fun and flirtations -- Photography, vision and touch -- Bibliography -- Index.
| Copy number | R013506 |
| Institution name | |
| Shelf mark | $HIST DI.BELLO.P 2007 |