Nature exposed: photography as eyewitnes in Victorian science.
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Copy number Shelfmark Shelf mark R011661 Ned. Fotomuseum $T TUCKER.J 2005 R014271 Ned. Fotomuseum $T TUCKER.J 2005
TitleNature exposed: photography as eyewitnes in Victorian science.
Author
Place of publicationBaltimore
PublisherJohns Hopkins University Press
Year of publication2005
Pagination294
Illustrationsb&w
DimensionsA5
MaterialTekstboek
Document TypeBook
ISBN0801879914
Bibliographic Noteshc; essays on sources; index;
Abstract
From the "blurb" :
"In Nature Exposed, Jennifer Tucker studies the intersecting trajectories of photography and modern science in late Victorian Britain. She examines the role of photograph as witness in scientific investigation and explores the interplay between photographic practice and scientific authority.
Almost immediately after the invention of photography in 1839, photographs were characterized as offering objective access to reality — unmediated by human agency, political ties, or philosophy. This mechanical objectivity supposedly eliminated judgment and interpretation in reporting and picturing scientific results.
But photography is a labor-intensive process that allows for, and sometimes requires, manipulation. In the late nineteenth century, the nature of this new technology sparked a complex debate about scientific practices and the value of the photographic image in the production and dissemination of scientific knowledge.
Recovering the controversies and commentary surrounding early scientific photography and drawing on a wide range of new sources and critical theories, Tucker deepens our understanding of Victorian science, its rich visual culture, and alternative forms of knowledge, including psychical research and theorizing about canals on Mars."
"In Nature Exposed, Jennifer Tucker studies the intersecting trajectories of photography and modern science in late Victorian Britain. She examines the role of photograph as witness in scientific investigation and explores the interplay between photographic practice and scientific authority.
Almost immediately after the invention of photography in 1839, photographs were characterized as offering objective access to reality — unmediated by human agency, political ties, or philosophy. This mechanical objectivity supposedly eliminated judgment and interpretation in reporting and picturing scientific results.
But photography is a labor-intensive process that allows for, and sometimes requires, manipulation. In the late nineteenth century, the nature of this new technology sparked a complex debate about scientific practices and the value of the photographic image in the production and dissemination of scientific knowledge.
Recovering the controversies and commentary surrounding early scientific photography and drawing on a wide range of new sources and critical theories, Tucker deepens our understanding of Victorian science, its rich visual culture, and alternative forms of knowledge, including psychical research and theorizing about canals on Mars."
| Copy number | R011661 |
| Institution name | |
| Shelf mark | $T TUCKER.J 2005 |
| Copy number | R014271 |
| Institution name | |
| Shelf mark | $T TUCKER.J 2005 |