Disappearing witness. Change in twentieth-century American photography.
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Copy number Shelfmark Shelf mark R010089 Ned. Fotomuseum $T GARNER.G 2003
TitleDisappearing witness. Change in twentieth-century American photography.
Author
Photographer
PublisherThe Johns Hopkins University Press
Year of publication2003
Pagination305
IllustrationsZwart-Wit en kleur
DimensionsA4
MaterialTekstboek
Document TypeBook
ISBN0-8018-71670
Bibliographic Notescb, index;
SubjectAppropriation, Kunst met fotografie, Verhalende fotografie, Fotografie als kunst, Geënsceneerde fotografie, Fotojournalistiek: USA, Geschiedenis en fotografie: USA, Geschiedenis van de fotojournalistiek: USA
Abstract
CONTENTS:
PART I : PHOTOGRAPHY OF WITNESS ;
1. Being There: Spontaneous Witness ;
2. Speed and the Machine ;
3. Fine-Art Photography, Redefined ;
4. Documentary ;
5. The Magazines ;
6. Spirit in Photography ;
PART II : DISAPPEARING WITNESS :
7. New Paradigms: Uelsmann, Michals, and Samaras ;
8. Documentary-Style and Street Photography ;
9. Photography about Photography: The Academy and the Art World ;
10. New Landscapes, New Portraits: The Seventies and Eighties ;
11. The Subject Self ;
12. Arrangement, Invention, and Appropriation ;
13. Digitized Photography ;
Conclusion
NOTES / INDEX.
PART I : PHOTOGRAPHY OF WITNESS ;
1. Being There: Spontaneous Witness ;
2. Speed and the Machine ;
3. Fine-Art Photography, Redefined ;
4. Documentary ;
5. The Magazines ;
6. Spirit in Photography ;
PART II : DISAPPEARING WITNESS :
7. New Paradigms: Uelsmann, Michals, and Samaras ;
8. Documentary-Style and Street Photography ;
9. Photography about Photography: The Academy and the Art World ;
10. New Landscapes, New Portraits: The Seventies and Eighties ;
11. The Subject Self ;
12. Arrangement, Invention, and Appropriation ;
13. Digitized Photography ;
Conclusion
NOTES / INDEX.
| Copy number | R010089 |
| Institution name | |
| Shelf mark | $T GARNER.G 2003 |