Photography and Research in Austria. Vienna, the Door to the European East. Symposium 2001 Vienna.
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Copy number Shelfmark Shelf mark R008349 Ned. Fotomuseum $HIST ESfHP 2001
TitlePhotography and Research in Austria. Vienna, the Door to the European East. Symposium 2001 Vienna.
Author
Photographer
Place of publicationPassau
PublisherDietmar Klinger Verlag
Year of publication2002
Pagination222
IllustrationsZwart-Wit en kleur
DimensionsA4
MaterialTekstboek
Document TypeBook
ISBN3-932949-129
Bibliographic Notespb;
SubjectKunst met fotografie, Calotypieën, censuur, Fotokritiek, Geschiedenis van de kleurenfotografie, Geschiedenis van het fotogram, Geschiedenis van de fotografie, Geschiedenis van de fotografie: A (Oostenrijk), Geschiedenis van de fotografie: CS (Tsjecho-Slowakije), Geschiedenis van de fotografie: I (Italië), Geschiedenis van de fotografie: S (Zweden), Performance kunst, Fotomontage, Technische ontwikkelingen in de fotografie, Lenseless fotografie, Geschiedenis van de fotografie: H (Hongarije), Geschiedenis van de fotomontage, Vrouwlijke fotografen, Hoffotografie (is equivalent gesteld met court photography), Autochromes, Geschiedenis van de fotografie: CZ (Tsjechië), Geschiedenis van de fotografie: SLO (Slovenië), Hoffotografie, schadograph, Photographic Society, PHG, Vienna, A ; 1861-, European Society for the History of Photography, EsfHP
Abstract
Texts:
1. Johanna Rachinger: Inauguration Speech ;
2. Milanka Todic: Anastas Jovanovic: Calotype Portraits and Cityscapes ;
3. Károly Kincses: A Photographer Without Limits ;
4. Barbara Schaukal: Sebastianutti & Benque - Five Photographers. Four Generations. Three Continents ;
5. Antonín Dufek: By 1918: Paths from and to Vienna. Julie Jirecková - The First Lady of Art Photography in Bohemia ;
6. Eva Dahlman: The Swedish Photographer Lewis Larsson and the American Colony Photographers ;
7. Aleksander Bassin: 150 Years of Photography in Slovenia ;
8. András Török: Resurrecting Budapest Photographer Manó Mai and his Studio/Home ;
9. Ulla Fischer-Westhauser: Court Photographers - Photographers for the Court? ;
10. Uwe Schögl: Heinrich Kühn and the Autochromes ;
11. Thomas Freiler: The Legacy of Josef Maria Eder in the Weinstadtmuseum Krems ;
12. Monika Faber: Inventing the Interdependency of Science and Art - Heinrich Schwarz's early writings ;
13. Lena Johannesson: Women Photographers - European Experiences 1845- 2000 ;
14. Duncan Forbes: Wolfgang Suschitzky and the British Documentary Tradition in the 1930s ;
15. Vladimír Birgus: Jaroslav Rössler (1902-1990) ;
16. Krystyna Bartnik: Mieczystaw Berman - A Master of Photomontage ;
17. Margit Zuckriegl: Václav Zykmund - A Czech Photographer anticipating Fluxus and Austrian Actionism ;
18. Nikolaus Schad: Schadographs: The three photogram- phases of Christian Schad ;
19. Gino Viviani: Generated Images - The Evolution of Images ;
20. A. D. Coleman: After Critical Mass - What? A State-of-the-Craft Report on Photography Criticism ;
21. Johan Swinnen: Word, Image and Meaning - The Challenge to the History of Photography in Times of Censoring ;
22. Anna Auer: "Fotografie im Gesprach"- Conversations about Photography ;
Appendix ;
23. Anna Auer: The Photographic Society founded 1861 in Vienna ;
24. Laurent Roosens: The history of a Society for History.
1. Johanna Rachinger: Inauguration Speech ;
2. Milanka Todic: Anastas Jovanovic: Calotype Portraits and Cityscapes ;
3. Károly Kincses: A Photographer Without Limits ;
4. Barbara Schaukal: Sebastianutti & Benque - Five Photographers. Four Generations. Three Continents ;
5. Antonín Dufek: By 1918: Paths from and to Vienna. Julie Jirecková - The First Lady of Art Photography in Bohemia ;
6. Eva Dahlman: The Swedish Photographer Lewis Larsson and the American Colony Photographers ;
7. Aleksander Bassin: 150 Years of Photography in Slovenia ;
8. András Török: Resurrecting Budapest Photographer Manó Mai and his Studio/Home ;
9. Ulla Fischer-Westhauser: Court Photographers - Photographers for the Court? ;
10. Uwe Schögl: Heinrich Kühn and the Autochromes ;
11. Thomas Freiler: The Legacy of Josef Maria Eder in the Weinstadtmuseum Krems ;
12. Monika Faber: Inventing the Interdependency of Science and Art - Heinrich Schwarz's early writings ;
13. Lena Johannesson: Women Photographers - European Experiences 1845- 2000 ;
14. Duncan Forbes: Wolfgang Suschitzky and the British Documentary Tradition in the 1930s ;
15. Vladimír Birgus: Jaroslav Rössler (1902-1990) ;
16. Krystyna Bartnik: Mieczystaw Berman - A Master of Photomontage ;
17. Margit Zuckriegl: Václav Zykmund - A Czech Photographer anticipating Fluxus and Austrian Actionism ;
18. Nikolaus Schad: Schadographs: The three photogram- phases of Christian Schad ;
19. Gino Viviani: Generated Images - The Evolution of Images ;
20. A. D. Coleman: After Critical Mass - What? A State-of-the-Craft Report on Photography Criticism ;
21. Johan Swinnen: Word, Image and Meaning - The Challenge to the History of Photography in Times of Censoring ;
22. Anna Auer: "Fotografie im Gesprach"- Conversations about Photography ;
Appendix ;
23. Anna Auer: The Photographic Society founded 1861 in Vienna ;
24. Laurent Roosens: The history of a Society for History.
| Copy number | R008349 |
| Institution name | |
| Shelf mark | $HIST ESfHP 2001 |