Colonial Photography and Exhibitions. Representations of the 'Native' People and the Making of European Identities.
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Copy number Shelfmark Shelf mark R006876 Ned. Fotomuseum $ANTRO MAXWELL.A 1999
TitleColonial Photography and Exhibitions. Representations of the
'Native' People and the Making of European Identities.
Author
Photographer
Iconographic keywords
PublisherLeicester University Press
Year of publication1999
Pagination244
Illustrationsb&w
DimensionsA4
MaterialTekstboek
Document TypeBook
ISBN0-7185-01691
Bibliographic Notescb; bibliography, index;
SubjectAntropologie en fotografie, Kolonialisme en fotografie, Etnocentrisme en fotografie, Etnografische fotografie, Tentoonstellingen als propaganda, Geschiedenis van de fotografie, Representatie van gekleurde mensen, Geschiedenis van de reisfotografie, Politiek en fotografie: USA, Representatie van inheemse (?) Noord Amerikanen, Kolonialisme en fotografie: F (Frankrijk), Kolonialisme en fotografie: GB (Groot-Brittannië)
Abstract
Chapters:
0. Intro: The Great Exhibitions, photography and the making of European identities ;
1. The native village in Paris and London: European exhibitions and theories of race :
2. A lens on the other: photographs of non-western peoples by anthropologists and travellers ;
3. The White City and the Midway: ethnographic displays, racial innocence and American imperialism ;
4. Shifting focus: photographic representations of Native Americans and African-Americans ;
5. In the shades of imperialism: representations of colonized peoples in Australia and New Zealand ;
6. Beyond the native belle: dissident photographers and indiginous publics in Samoa and New Zealand ;
7. Colonial photography and indigenous resistance in Hawaii: the case of the last royal family ;
References ;
Index.
0. Intro: The Great Exhibitions, photography and the making of European identities ;
1. The native village in Paris and London: European exhibitions and theories of race :
2. A lens on the other: photographs of non-western peoples by anthropologists and travellers ;
3. The White City and the Midway: ethnographic displays, racial innocence and American imperialism ;
4. Shifting focus: photographic representations of Native Americans and African-Americans ;
5. In the shades of imperialism: representations of colonized peoples in Australia and New Zealand ;
6. Beyond the native belle: dissident photographers and indiginous publics in Samoa and New Zealand ;
7. Colonial photography and indigenous resistance in Hawaii: the case of the last royal family ;
References ;
Index.
| Copy number | R006876 |
| Institution name | |
| Shelf mark | $ANTRO MAXWELL.A 1999 |