The Photographic Paradigm.
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Copy number Shelfmark Shelf mark R005918 Ned. Fotomuseum $T BALKEMA.A 1997
TitleThe Photographic Paradigm.
Author
Photographer
Place of publicationAmsterdam
PublisherLier & Boog
Year of publication1997
Pagination192
Illustrationsb&w
DimensionsA4
MaterialTekstboek
Document TypeBook
Series titleLier en Boog. Series of Philosophy of Art and Art Theory, Volume 12
ISBN90-420-01216
Bibliographic Notespb;
SubjectKunstgeschiedenis en fotografie, Kunst met fotografie, Fotokritiek, Museum beleid, Theorie van de fotografie, Kunstenaars uitspraken
Abstract
Chapters :
1. Christian Boltanski: The Passage of Time ;
2. Benjamin H.D. Buchloh: The Politics of Representation ;
3. Jean-François Chevrier: The museum: a permanent crisis ;
4. Douglas Crimp: Reconsidering Barcelona ;
5. Jos de Mul: The virtualization of the world view: the end of photography and the return of the aura ;
6. Mirjam de Zeeuw: Investigations into Strategies of Thought ;
7. Rineke Dijkstra: Intensity and Concentration ;
8. Micael Gibbs: Fugitive Photography ;
9. Rodney Graham: The way I use photography ;
10. Gérald van der Kaap: The Ed van der Elsken Turn ;
11. Karen Knorr: Photography's Shadow ;
12. Zoe Leonard: Photographic Responses ;
13. Ken Lum: Contemporary Contemplation ;
14. Hermann Pitz: Ocular Investigations ;
15. Liza May Post: Post Mental Slides ;
16. John Roberts: The crisis if critical postmodernism ;
17. Review: Allan Sekula and the metaphysics of concepts ;
18. Andres Serrano: Idiosyncratic Iconography ;
19. Jan Simons: Photo, Trauma: the eye and the mind ;
20. Beat Streuli: Potential Possibilities ;
21. Johan M. Swinnen: Searching for a historical infrastructure ;
22. Renée van de Vall: Images of the past. An installation by Christian Boltanski ;
23. Hilde van Gelder: Photography: from Modus to Picture ;
24. Hripsimé Visser: The magic of realism ;
25. Jeff Wall: Transformational Aesthetics ;
26. Ian Wallace: Notes for a Talk ;
27. Herta Wolf: Archeological Consciousness ;
28. Annette W. Balkema and Henk Slager: Epilogue.
1. Christian Boltanski: The Passage of Time ;
2. Benjamin H.D. Buchloh: The Politics of Representation ;
3. Jean-François Chevrier: The museum: a permanent crisis ;
4. Douglas Crimp: Reconsidering Barcelona ;
5. Jos de Mul: The virtualization of the world view: the end of photography and the return of the aura ;
6. Mirjam de Zeeuw: Investigations into Strategies of Thought ;
7. Rineke Dijkstra: Intensity and Concentration ;
8. Micael Gibbs: Fugitive Photography ;
9. Rodney Graham: The way I use photography ;
10. Gérald van der Kaap: The Ed van der Elsken Turn ;
11. Karen Knorr: Photography's Shadow ;
12. Zoe Leonard: Photographic Responses ;
13. Ken Lum: Contemporary Contemplation ;
14. Hermann Pitz: Ocular Investigations ;
15. Liza May Post: Post Mental Slides ;
16. John Roberts: The crisis if critical postmodernism ;
17. Review: Allan Sekula and the metaphysics of concepts ;
18. Andres Serrano: Idiosyncratic Iconography ;
19. Jan Simons: Photo, Trauma: the eye and the mind ;
20. Beat Streuli: Potential Possibilities ;
21. Johan M. Swinnen: Searching for a historical infrastructure ;
22. Renée van de Vall: Images of the past. An installation by Christian Boltanski ;
23. Hilde van Gelder: Photography: from Modus to Picture ;
24. Hripsimé Visser: The magic of realism ;
25. Jeff Wall: Transformational Aesthetics ;
26. Ian Wallace: Notes for a Talk ;
27. Herta Wolf: Archeological Consciousness ;
28. Annette W. Balkema and Henk Slager: Epilogue.
| Copy number | R005918 |
| Institution name | |
| Shelf mark | $T BALKEMA.A 1997 |