The Camera Viewed; Writings on Twentieth Century Photography;Volume 2: After the World War II

Contents:
1. Edward Steichen: Photography at The Museum of Modern Art (1952) ;
2. Edward Steichen: Photography: Witness and Recorder of Humanity (1958) ;
3. Henri Cartier-Bresson: Introduction to The Decisive Moment (1952) ;
4. Ansel Adams: I Am a Photographer (1959) ;
5. Herm Lenz: An Interview with Three Greats: Lange, Adams, Cunningham (1955) ;
6. Minor White: Lyrical and Accurate (1956) ;
7. Frederick Sommer: An Extemporaneous Talk at The Art Institute of Chicago, October 1970 (1970) ;
8. Jerry Uelsmann: post-visualisation (1969) ;
9. Duane Michals: An Interview with Professor Gassan and His Students (1971) ;
10. Martha Rosier: Lee Friedlander's Guarded Strategies (1975) ;
11. Max Kozloff: The Uncanny Portrait: Sander, Arbus, Samaras (1973) ;
12. Dennis Longwell: Monkeys Make the Problem More Difficult: A Collective Interview with Garry Winogrand (1972) ;
13. Les Levine: Camera Art (1975) ;
14. Andre Bazin: The Ontology of the Photographic Image (1945) ;
15. Rudolf Arnheim: On the Nature of Photography (1974) ;
16. Siegfried Kracauer: Photography (1960) ;
17. Roland Barthes: The Photographic Message (1961) ;
18. John Szarkowski: Introduction to The Photographer's Eye (1966) ;
19. Susan Sontag: Photography in Search of Itself (1977).