Over Exposed. Essays on Contemporary Photography.
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Copy number Shelfmark Shelf mark R006962 Ned. Fotomuseum $T SQUIERS.C 1999
TitleOver Exposed. Essays on Contemporary Photography.
Author
Photographer
Iconographic keywords
Place of publicationNew York
PublisherThe New Press
Year of publication1999
Pagination330
Illustrationsb&w
DimensionsA4
MaterialTekstboek
Document TypeBook
ISBN1-56584-5226
Bibliographic Notespb;
SubjectReclame, AIDS en fotografie, Appropriation, Kunst met fotografie, Authenticiteit, Fotokritiek, Mode en fotografie, Fotojournalistiek, Pornografie en fotografie, Post-modernisme en fotografie, Psychoanalyse en fotografie, Representatie en fotografie, Representatie van gender (geslacht), Representatie van lesbisch, Representatie van seksuele verschillen, Representatie van vrouwen, Seks en fotografie, Seksuele omgangsvormen, Surrealisme en fotografie, Patronage van de fotografie: USA, Culturele politiek, Patronage van de kunst, Digitale beeldbewerkingstechnieken, Voyeurisme en fotografie, Feminisme en fotografie: USA, Politiek en fotografie: USA, Representatie van inheemse (?) Noord Amerikanen, Representatie van ras, Paparazzo fotografie
Abstract
Texts:
1. G. Batchen: Ectoplasm: Photography in hte Digital Age.
2. D. Bright: Mirrors and Window Shoppers: Lesbians, Photography, and the Politics of Visibility.
3. V. Burgin: Newton's Gravity.
4. R. Deutsche: Krzysztof Wodiczko's "Homeless Projection" and the Site of Urban "Revitalization".
5. T. Druckrey: Instability and Dispersion.
6. J.Z. Grover: OI: Opportunistic Identification, Open Identification in PWA Portraiture.
7. A. Grundberg: On the Dissection Table: The Unnatural Coupling of Surrealism and Photography.
8. T. Harlan: Adjusting the Focus for an Indigenous Presence.
9. S. Kolbowski: Playing with Dolls.
10. R. Krauss: A Note on Photography and the Simulacral.
11. K. Mercer: Mortal Coil: Eros and Diaspora in Photographs of Rotimi Fani-Kayode.
12. C. Metz: Photography and Fetish.
13. K. Myers: Selling Green.
14. G. Pollock: Missing Women: Rethinking Early Thoughts on Images of Women.
15. A. Solomon-Godeau: Living with Contradictions: Critical Practices in the Age of Supply-Side Aesthetics.
16. C. Squiers: Class Struggle: The Invention of Paparazzi Photography and the Death of Diana, Princess of Wales.
17. C.S. Vance: The Pleasures of Looking: The Attorney General's Commission on Pornography versus Visual Images.
1. G. Batchen: Ectoplasm: Photography in hte Digital Age.
2. D. Bright: Mirrors and Window Shoppers: Lesbians, Photography, and the Politics of Visibility.
3. V. Burgin: Newton's Gravity.
4. R. Deutsche: Krzysztof Wodiczko's "Homeless Projection" and the Site of Urban "Revitalization".
5. T. Druckrey: Instability and Dispersion.
6. J.Z. Grover: OI: Opportunistic Identification, Open Identification in PWA Portraiture.
7. A. Grundberg: On the Dissection Table: The Unnatural Coupling of Surrealism and Photography.
8. T. Harlan: Adjusting the Focus for an Indigenous Presence.
9. S. Kolbowski: Playing with Dolls.
10. R. Krauss: A Note on Photography and the Simulacral.
11. K. Mercer: Mortal Coil: Eros and Diaspora in Photographs of Rotimi Fani-Kayode.
12. C. Metz: Photography and Fetish.
13. K. Myers: Selling Green.
14. G. Pollock: Missing Women: Rethinking Early Thoughts on Images of Women.
15. A. Solomon-Godeau: Living with Contradictions: Critical Practices in the Age of Supply-Side Aesthetics.
16. C. Squiers: Class Struggle: The Invention of Paparazzi Photography and the Death of Diana, Princess of Wales.
17. C.S. Vance: The Pleasures of Looking: The Attorney General's Commission on Pornography versus Visual Images.
| Copy number | R006962 |
| Institution name | |
| Shelf mark | $T SQUIERS.C 1999 |