The Image in Dispute. Art and Cinema in the Age of Photography.
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Copy number Shelfmark Shelf mark R005806 Ned. Fotomuseum $T ANDREW.D 1997
TitleThe Image in Dispute. Art and Cinema in the Age of Photography.
Author
Photographer
Place of publicationAustin
PublisherUniversity of Texas Press
Year of publication1997
Pagination331
Illustrationsb&w
DimensionsA4
MaterialTekstboek
Document TypeBook
ISBN0-292-704763
Bibliographic Notespb; bibliography.
SubjectFilm en fotografie, Kritische theorie en fotografie, Smalfilm, Snapshot fotografie, Theorie van de fotografie
Abstract
Texts :
PART I. WHAT DID WALTER BENJAMIN SEE? IMAGE CULTURES, 1890-1933 :
1. John Durham Peters: Beauty's Veils: The Ambivalent Iconoclasm of Kierkegaard and Benjamin ;
2. Dudley Andrew: Jules, Jim and Walter Benjamin ;
3. Anke Gleber: Women on the Screens and Streets of Modernity: In Search of the Female Flaneur ;
4. Lauren Rabinovitz: The Fair View: Female Spectatorship and the 1893 Chicago World's Columbian Exposition ;
5. Sabine Hake: Faces of Weimar Germany ;
PART II. TRADITIONAL ARTS AND THE SHOCK OF THIS CENTURY'S IMAGE :
6. Jennifer Pap: The Cubist Image and the Image of Cubism ;
7. Estera Milman: Pop Art / Pop Culture: Neo-Dada and the Politics of Plenty ;
8. Robert Newman: (Re)Imaging the Grotesque: Francis Bacon's Crucifixion Triptychs ;
PART III. VISION AND INTERPRETATION AFTER PHOTOGRAPHY :
9. Jacques Aumont: The Variable Eye, or the Mobilization of the Gaze ;
10. Charles O'Brien: The End of Cinema? An Afterword to Jacques Aumont's "The Variable Eye" ;
11. James Lastra: From the Captured Moment to the Cinematic Image: A Transformation in Pictorial Order ;
12. Robert B. Ray: Snapshots: The Beginnings of Photography ;
13. Timothy Corrigan: Immediate History: Videotape Interventions and Narrative Film.
PART I. WHAT DID WALTER BENJAMIN SEE? IMAGE CULTURES, 1890-1933 :
1. John Durham Peters: Beauty's Veils: The Ambivalent Iconoclasm of Kierkegaard and Benjamin ;
2. Dudley Andrew: Jules, Jim and Walter Benjamin ;
3. Anke Gleber: Women on the Screens and Streets of Modernity: In Search of the Female Flaneur ;
4. Lauren Rabinovitz: The Fair View: Female Spectatorship and the 1893 Chicago World's Columbian Exposition ;
5. Sabine Hake: Faces of Weimar Germany ;
PART II. TRADITIONAL ARTS AND THE SHOCK OF THIS CENTURY'S IMAGE :
6. Jennifer Pap: The Cubist Image and the Image of Cubism ;
7. Estera Milman: Pop Art / Pop Culture: Neo-Dada and the Politics of Plenty ;
8. Robert Newman: (Re)Imaging the Grotesque: Francis Bacon's Crucifixion Triptychs ;
PART III. VISION AND INTERPRETATION AFTER PHOTOGRAPHY :
9. Jacques Aumont: The Variable Eye, or the Mobilization of the Gaze ;
10. Charles O'Brien: The End of Cinema? An Afterword to Jacques Aumont's "The Variable Eye" ;
11. James Lastra: From the Captured Moment to the Cinematic Image: A Transformation in Pictorial Order ;
12. Robert B. Ray: Snapshots: The Beginnings of Photography ;
13. Timothy Corrigan: Immediate History: Videotape Interventions and Narrative Film.
| Copy number | R005806 |
| Institution name | |
| Shelf mark | $T ANDREW.D 1997 |