The art of interruption. Realism, photography and the everyday.
-
Copy number Shelfmark Shelf mark R005594 Ned. Fotomuseum $T ROBERTS.J 1998
TitleThe art of interruption. Realism, photography and the everyday.
Author
Photographer
Place of publicationNew York, Manchester
Year of publication1998
Pagination241
IllustrationsZwart-Wit en kleur
DimensionsA4
MaterialTekstboek
Document TypeBook
Series titleThe Critical Image
ISBN0-7190-35619
Bibliographic Notespb;
SubjectArbeiter-Fotograf, fototijdschrift, D, Authenticiteit, Autobiografische fotografie, Bauhaus, Kritische theorie en fotografie, documentaire fotografie, Ethiek en fotografie, Gezinsfotografie, Farm Security Administration, FSA, USA, Geschiedenis van de fotografie: SU (Sovjet Unie), Fototherapie, Politiek en fotografie, Propaganda met foto's, Psychoanalyse en fotografie, Representatie en fotografie, Representatie van gender (geslacht), Surrealisme en fotografie, Theorie van de fotografie, Digitale beeldbewerkingstechnieken, Buurtfotografie, Politiek en fotografie: D (Duitsland), Family of Man, New York, 1955 {tentoonstelling}, Politiek en fotografie: GB (Groot-Britannië), Geëngageerde fotografie: USA, Workers' Film and Photo League, London, GB, Geëngageerde fotografie: GB (Groot-Britannië), Politiek en fotografie: SU (Sovjet Unie)
Abstract
Chapters :
0. Intro: realism, contradiction and interpretation ;
1. Photohraphy, the everyday and the Russian revolution ;
2. Technique, technology and the everyday: German photographic culture in the 1920s and 1930s ;
3. The making of documentary: documentary after factography ;
4. The state, the everyday, and the archive ;
5. Surrealism, photography and the everyday ;
6. Inside Modernism: American photography and post-war culture ;
7. John Berger and Jean Mohr: the return to communality ;
8. The rise of theory and the critique of realism: photography in Britain in the 1980s ;
9. Disfiguring the ideal: the body, photography and the everyday ;
10. Jeff Wall: the social pathology of everyday life ;
11. Jo Spence: photography, empowerment and the everyday ;
12. Digital imagery and the critique of realism ;
Index.
0. Intro: realism, contradiction and interpretation ;
1. Photohraphy, the everyday and the Russian revolution ;
2. Technique, technology and the everyday: German photographic culture in the 1920s and 1930s ;
3. The making of documentary: documentary after factography ;
4. The state, the everyday, and the archive ;
5. Surrealism, photography and the everyday ;
6. Inside Modernism: American photography and post-war culture ;
7. John Berger and Jean Mohr: the return to communality ;
8. The rise of theory and the critique of realism: photography in Britain in the 1980s ;
9. Disfiguring the ideal: the body, photography and the everyday ;
10. Jeff Wall: the social pathology of everyday life ;
11. Jo Spence: photography, empowerment and the everyday ;
12. Digital imagery and the critique of realism ;
Index.
| Copy number | R005594 |
| Institution name | |
| Shelf mark | $T ROBERTS.J 1998 |