October. The First Decade, 1976-1986.
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Copy number Shelfmark Shelf mark R004946 Ned. Fotomuseum $T MICHELSON.A 1987
TitleOctober. The First Decade, 1976-1986.
Author
Photographer
Place of publicationCambridge
PublisherMIT Press
Year of publication1987
Pagination456
Illustrationsb&w
DimensionsA4
MaterialTekstboek
Document TypeBook
Series titleOctober
ISBN0-262-132222
Bibliographic Notescb;
SubjectFilm en psychoanalyse, Kritische theorie en fotografie, Museum beleid, Fotomontage, Propaganda met foto's, Religie en fotografie, Representatie en fotografie, Surrealisme en fotografie, Theorie van de tentoonstellingspraktijk, Dansfotografie, Geëngageerde kunst, New Documents, Szarkowski, 1967 {tentoonstelling}, Family of Man, New York, 1955 {tentoonstelling}, Tentoonstellingspraktijk, Before Photography, Galassi, 1981 {tentoonstelling}
Abstract
Articles :
PART I. THE INDEX
1. Rosalind Krauss: Notes on the Index ;
2. Nadar: My Life as a Photographer ;
3. G. Didier-Huberman: The Index of the Absent Wound ;
4. Roger Caillois: Mimicry and Legendary Psychasthenia ;
PART II. HISTORICAL MATERIALISM
5. Buchloh: From Faktura to Factography ;
6. Eisenstein: Notes for a Film of Capital ;
7. Macciocchi: Pasolini: Murder of a Dissident ;
8. R. Deutsche / C.G. Ryan: The Fine Art of gentrification ;
PART III. CRITIQUE OF INSTITUTIONS
9. Y.-A. Bois: A Conversation with Hans Haacke ;
10. Daniel Buren: The Function of the Studio ;
11. Louise Lawler: Arrangements of Pictures ;
12. Douglas Crimp: The Art of Exhibition ;
13. Christopher Phillips: The Judgment Seat of Photography ;
PART IV. PSYCHOANALYSIS
14. Joan Copjec: Flavit et Dissipati Sunt ;
15. Homi Bhabha: Of Mimicry and Man: The Ambivalence of Colonial Discourse ;
16. Mary Ann Doane: Woman's Stake: Filming the Female Body ;
PART V. RHETHORIC
17. Y.A. Bois: A Picturesque Stroll around Clara-Clara ;
18. Joel Fineman: The Structure of Allegorical Desire ;
PART VI. THE BODY
19. Babette Mangolte: A Portfolio of Photographs of Trisha Brown's Work ;
20. Peter Handke: Blue Poem for B. ;
21. Annette Michelson: On the Eve of the Future ;
22. Georges Bataile: Extinct America ;
23. Hollis Frampton: Erotic Predicaments for camera ;
24. Robert Morris: Fragments from the Rodin Museum.
PART I. THE INDEX
1. Rosalind Krauss: Notes on the Index ;
2. Nadar: My Life as a Photographer ;
3. G. Didier-Huberman: The Index of the Absent Wound ;
4. Roger Caillois: Mimicry and Legendary Psychasthenia ;
PART II. HISTORICAL MATERIALISM
5. Buchloh: From Faktura to Factography ;
6. Eisenstein: Notes for a Film of Capital ;
7. Macciocchi: Pasolini: Murder of a Dissident ;
8. R. Deutsche / C.G. Ryan: The Fine Art of gentrification ;
PART III. CRITIQUE OF INSTITUTIONS
9. Y.-A. Bois: A Conversation with Hans Haacke ;
10. Daniel Buren: The Function of the Studio ;
11. Louise Lawler: Arrangements of Pictures ;
12. Douglas Crimp: The Art of Exhibition ;
13. Christopher Phillips: The Judgment Seat of Photography ;
PART IV. PSYCHOANALYSIS
14. Joan Copjec: Flavit et Dissipati Sunt ;
15. Homi Bhabha: Of Mimicry and Man: The Ambivalence of Colonial Discourse ;
16. Mary Ann Doane: Woman's Stake: Filming the Female Body ;
PART V. RHETHORIC
17. Y.A. Bois: A Picturesque Stroll around Clara-Clara ;
18. Joel Fineman: The Structure of Allegorical Desire ;
PART VI. THE BODY
19. Babette Mangolte: A Portfolio of Photographs of Trisha Brown's Work ;
20. Peter Handke: Blue Poem for B. ;
21. Annette Michelson: On the Eve of the Future ;
22. Georges Bataile: Extinct America ;
23. Hollis Frampton: Erotic Predicaments for camera ;
24. Robert Morris: Fragments from the Rodin Museum.
| Copy number | R004946 |
| Institution name | |
| Shelf mark | $T MICHELSON.A 1987 |